If you are reading this (pre-scheduled) message, then I didn’t get a post written this week, due to dealing with the aftermath of Hurricane Irma. I’ll return to my regular weekly schedule as soon as possible. Meanwhile, why not find an older post or two to hold you over? 🙂 Take care!
“It’s been a long week.” — Jessica Jones, “The Defenders”
The much(?)-anticipated “The Defenders” mini-series has finally been released, capping off the first four Marvel/Netflix series. I finished watching it a few days ago, so I have a few thoughts to share….
You probably figured I’d put out some sort of review, right? Regular readers already know how I feel about the actors and these versions of the characters from my earlier reviews, so I won’t say too much on that front. (Too many to link to here; just do a search on “Netflix” or go to the Reviews page linked above.) I assume most people who are interested in the show have already watched it, but I’m adding a Spoiler Alert, anyway.
SPOILER ALERT!! SPOILER ALERT!! SPOILER ALERT!! SPOILER ALERT!! SPOILER ALERT!!
Let’s start with… I liked the opening/closing credits music. It reminded me of a cross between those for Daredevil and Iron Fist.
I also really appreciated the getting-to-know-each-other scene at the Chinese restaurant, after our heroes survived their first team-up. It was reminiscent — probably intentionally so — of the shawarma shop scene at the end of Avengers.
Our heroes all remained very much in character. Luke Cage and Jessica Jones did their usual strong-guy/gal thing, smashing, slamming, punching, and kicking the crap out of The Hand’s lackeys. Nothin’ pretty. Luke also got to play “human shield” on occasion. (I think he actually enjoys it, despite the costs to his wardrobe.) Once he was on board, Matt Murdock / Daredevil re-confirmed that he’s the best fighter of all of them, in my opinion. However, he also takes some chances — specifically, re Elektra — that put himself and others in danger. Of course, the writers can make even foolish decisions turn out to be the “right” ones in the end.
Each of these three, at some point along the way, had their doubts about taking on The Hand, preferring to stay out of the “war” or just not ready to go “all the way”. But, they realized the threat that The Hand represented to the people of New York (and likely beyond), and they stepped up. They knew they might not survive, but they were the city’s only real chance. That’s what makes them heroes.
I would really love to see Daredevil pair up with Cage. That could be an awesome partnership. (Cage and Rand, not so much.)
Not surprisingly, I thought Danny Rand / Iron Fist was quite disappointing. Without the chi-powered fist, his fighting skills are still mediocre — clumsy-looking, even. Good thing The Hand seems to only have mediocre-level soldiers, rather than the ninja-assassins from the comics. (Elektra aside, of course.) He also continued with the part-petulant child, part-stranger-in-a-strange-land bit, while never understanding why people aren’t impressed by his “I am the immortal Iron Fist” claims, followed by tales of dragons and mystical cities. Sheesh! Either give it a rest, or at least show off the “fist” a bit earlier.
Colleen Wing’s presence mostly made up for that of her boyfriend. She’s attractive, passionate, willing to do what needs to be done, and brings some much-needed skill with bladed weapons to the good-guy side. She seems to start many fights by charging at her opponents, which doesn’t seem too smart to me, particularly when it’s a superior fighter like Bakuto. Then again, it’s not like she’s gonna surprise him/them, especially beginning from several feet away. Maybe the head-on approach is best, just to get the fight underway?
Some of the best acting in this series was in scenes with the Colleen and Claire characters, especially the one where Colleen briefly broke down in tears. Well done, Miss Henwick.
Claire’s how-did-I-get-myself-into-this reflections and lines were welcome as usual. She really is the heart of the (non-)team, and not just because she is the acquaintance that they all had in common. She also probably surprises no one more than herself that she is still in the thick of it and, well, not dead, yet. Like Colleen said, Claire’s a hero, too.
It was nice to see Malcolm, Trish, Karen, and Foggy, too, and to find out what they were up to since we last saw them. There wasn’t much for them to do in this story but hide out. But, it made sense in the plot to have them involved, since they were the closest associates of our heroes. However, it still seems odd to have them essentially camp out in the police station, when the cops never really understood what The Hand was or how dangerous they were.
Misty Knight… yowza! (Ahem, sorry.) The lovely Detective Knight returns! Yay! (“Detective Knight” sounds like a twist on a certain Distinguished Competition’s pointy-eared vigilante, doesn’t it?) She continues to be frustrated by our heroes, but she comes through in the end and supports, even aids, them. Yay, again! She pays a dear price for it, though, since she (finally) loses her arm. Triple-yay! That’s right, I’m glad she lost her arm, ‘cuz that means she will probably, eventually, get a super-strong bionic arm, just like in the comics. (I have a feeling her benefactor will be Rand, though, instead of Stark.) Then, she just needs to become a P.I. and partner with Colleen Wing, and I’ll be a happy man. (Especially if they get their own series!)
It sort of makes sense that Stick would be the one to unite — however reluctantly — our heroes. Or, at least, try to keep them together after that initial big fight. (Btw, since we already know these Netflix shows take place in the same world as the films, it would have made sense to have someone say something like, “Why not tell those Avengers guys? Let them HANDle it!” OK, maybe without the pun.) I’m a little surprised that they killed him off, but not real disappointed. For one, he was getting annoying; for two, with The Hand out of commission (thankfully, at least for now), there’s little reason for Stick to show up, and this should help our heroes — well, Matt, anyway… and Elektra — move on.
I hate to say it, but Sigourney Weaver looked… old. But, then I realized she’s 67, so she’s allowed to have a few wrinkles and such. Don’t know that I would have thought of her as a villain for this series. But, as the Alexandra character was written, she was a decent choice. We suspected they would bring Bakuto back, as well as the ever-present and deceptively powerful Madame Gao. The other two new Hand leaders — Murakami and Sowande — seemed formidable at first. But, the latter was too easily defeated, and the former was ultimately not that impressive.
I have mixed feelings about the whole Elektra thing. I mean, we already knew she was being resurrected by The Hand, so she’d probably be involved in another series storyline. And, it makes sense the way it was done and why. I think. Her betrayal of Alexandra was a surprise, which made for a nice plot twist. However, I don’t understand why she suddenly became so cold, amoral, etc. I guess it had something to do with her soul being affected (seared? tainted? infected?) by her brief time on “the other side”. I don’t remember hearing a good explanation for her behavior, but maybe I just missed it or didn’t put the pieces together.
If Elektra survived and if she eventually returns (though hopefully not for awhile), I hope she becomes more the assassin-for-hire that comic readers are familiar with. One with a damaged, yet still present, moral compass and ethical code.
The overall plot wasn’t bad, though it seemed to take a little while to get moving. Definitely room for improvement here and there, which might have been do-able if they had another episode or two to work with. Or, maybe fewer episodes would have forced them to tighten it up and get to the good stuff sooner. For the most part, though, the four heroes’ individual stories came together fairly well. It all flowed OK (though the earlier episodes were a bit rocky), and there was some good character development. (Even Rand.) Most of the interaction between our heroes was good, too, and I appreciated the occasional doses of humor.
Open questions: Why didn’t the NYPD file a report? Why wouldn’t they charge our heroes with terrorism? I’m not saying there isn’t a plausible way around it, with Jeri Hogarth (and Foggy, of course) coming to their aid. (Even “The Defenders” sometimes need a legal defense of their own, right?) But, the “wrap-up” at the end seemed too easy.
Overall grade: When feeling generous, I’m tempted to give “The Defenders” a solid ‘B’. Other days, I might go as low as a ‘C’. So, let’s split the difference and go with a ‘C+/B-‘.
“Hulk not think. HULK SMASH!” — Hulk
Several weeks ago, Michael Hollan at CBR.com wrote a piece titled “Hulked Out: 15 Reasons Marvel Should Not Make A Hulk Movie”. His analysis was interesting, but I took issue with some of his reasoning. I decided to jot down my thoughts on each point, which I share below. Just providing the “titles” for each of Hollan’s reasons, however, wouldn’t adequately explain them, and I didn’t want to reproduce his entire article. So, you should probably open up his article in another tab or window and toggle back and forth. You could even split-screen, sorta like having a split personality….
15) Interesting point, but I don’t think it flies. For one, the character’s (characters’?) inspiration, Dr. Jekyll & Mr. Hyde, did fine back in the day, both as a book and on-screen, as have other properties with a split-personality character. Second, while not all Hulk comics are equally well-done, many do manage this balance well. It’s just a matter of the having the right story.
14) Just because some of his best fights so far have arguably been those against other heroes (and Loki), that doesn’t mean it must be the case. (The one against Abomination wasn’t bad, btw.) For goodness sake, as soon as someone writes/films a great fight scene against an interesting villain (or villainous army, like the Chitauri in Avengers), this “reason” goes away.
13) This is somewhat valid. Hulk doesn’t have a Kryptonite equivalent. But, there are other ways to out-think or otherwise counter him. Also, it might be cool to have him somewhat reduced in strength for at least part of a solo film, then come back to “normal” (or, maybe, “Hulk-average”?) at the end.
12) The so-called “prequel-itis” is indeed the curse of having such a tightly-linked cinematic universe, especially with guest-stars and crossovers. But, the “lack of true tension” brought up by Hollan is not insurmountable, especially if there are other beloved characters in danger that are more likely than our hero to be injured or killed.
11) Let’s just say that I would not be averse to a Hulk film with either the Joe Fixit persona or the “intellectual scientist” persona. Eventually. But not for the first (or second?) solo film, and (at this rate) probably not with Ruffalo.
10) Fair point, but it seems like a cop-out as an excuse for not having a solo film. Other characters’ films should stand on their own without guest stars.
9) I think there is a concern re the amount of time already “lost” for getting a Ruffalo-Hulk solo film out, but this ain’t it. Sure, Marvel is introducing many other great, popular characters on-screen, but that’s no reason to think that it’s too late for the Hulk, one of Marvel’s most popular and foundational characters, to share in the fun.
8) The reasons the romance with Black Widow didn’t work were a) afaik, there was no basis for it in the source material; b) there was no build-up in Age of Ultron or preceding movies; and, c) there was an abrupt end to it after that awkward scene at Clint’s house. In other words, it came out of nowhere, seemed an odd pairing from the get-go, and suddenly fizzled. This poorly executed attempt should not be taken to indicate that the tragic elements of Hulk’s story won’t work on-screen. They are integral to the character and just need to be handled more… deftly. (And I don’t mean there should be another romance.) Also, I like the comedy, but that should not be an emphasis for a Hulk solo movie.
7) I acknowledge that there would be difficulties trying to circle back to plot threads from the Norton film. Sort of a damned-if-you-do-and-damned-if-you-don’t situation, assuming the fans care as much as Hollan seems to think. But, destined to fail? Really?
6) Completely agree. Well,… mostly.
5) “Marvel has to balance the new characters with their popular, established franchises. Unfortunately, Hulk falls into the middle.” Agreed. This does present a problem.
4) The contract issue could indeed be a major hurdle — again, assuming we’re focused on having Ruffalo be the star, which seems to be the way most people are thinking, given his popularity.
3) Funny, but disconnectedness from the rest of the Avengers-verse wasn’t the main complaint I heard/read re Thor: Dark World. Still, it is something to take into consideration. But, I think a good writer should be able to handle it.
2) Both previous Hulk solo outings did indeed involve being on the run and fighting the military, and it’s a shame that neither one did very well at the box office, which apparently tarnishes the idea of having that in another Hulk solo adventure. But, then, that really is a core part of the character’s saga. The comic Hulk spends most of his time trying to get away from “puny men”, and Banner tries to fly under the radar whenever possible. So, even if the military isn’t a major part of the story, his being a bit of a drifter would still make sense for a solo film.
1) Aaaaaand “political correctness” rears its ugly head…. Personally, I think most of the diversity-based complaints are stupid. But, there they are, and Marvel has to deal with them — hopefully in a way that is both empathetic and doesn’t surrender source-material background needlessly. (I also think 8′ tall green goliaths are in a clear minority on Earth, so there ya go!)
Besides, what’s wrong with straight white guys named “Chris”? I am one, after all! 🙂
With as much pushback as I’ve given, you might think I’d be in favor of a Hulk solo movie starring Ruffalo. You would, however, be mistaken. If they can squeeze one in by 2020, then fine. But, I think Marvel’s best bet is to finish up Ruffalo’s stint as Banner after the Infinity War sequel (currently scheduled for a May 2019 release), when Ruffalo will be in his early 50s. After a few years, bring in a new, 30-something actor and do a string of Hulk solo films with few (if any) Avengers cameos. In fact, I have a few ideas for who the new Banner could be and what these films might be about, which I will share… sometime… later.
“Just what the hell are you trying to do, 007? Start World War III? ” — Felix Leiter (John Terry) in The Living Daylights
Last week I fan-cast “Q”, and I think I did a pretty good job. Now, let’s see if I can propose a few candidates to portray another of James Bond’s sometime-associates, Felix Leiter….
Felix Leiter, as 007 fans know, is an American CIA (later DEA) agent who occasionally works with Bond on certain missions. They are written as friends and peers, though Bond, of course, always takes the lead, whether authorized to or not. Leiter’s role is often fairly small, typically assisting with technology, hardware, muscle, and/or money. After all, it’s the British agent who is the star.
The name originates from a combination of two of Ian Fleming’s friends: Ivar Felix C. Bryce and their mutual friend Thomas Leiter. The Leiter character has been portrayed on-screen by nine different actors, if you include the two versions from non-Eon productions (i.e, Bernie Casey in Never Say Never Again (1983) and Michael Pate’s British agent, Clarence Leiter, in the first Casino Royale (1954)). But, those in the official Bond films were Jack Lord (1962), Cec Linder (1964), Rik Van Nutter (1965), Norman Burton (1971), David Hedison (1973 & 1989), John Terry (1987), and Jeffrey Wright (2006-2008).
The Casino Royale novel introduces Leiter as a former U.S. Marine working with NATO’s Joint Intelligence Staff. He is tall, thin, and roughly 35 — so, about the same age as Bond. Also, “a mop of straw-coloured hair lent his face a boyish look which closer examination contradicted”. (Note: The sketch by George Almond appears to be of Leiter after he lost a hand and half a leg in a shark attack and joined the Pinkerton Detective Agency. The incident occurred in the Live and Let Die novel but was delayed until the License to Kill movie. We’ve never seen a post-amputation Leiter on-screen.) Most of the actors to play Leiter have been at least 6′ tall, but the ages have ranged a bit — especially Linder, who was nearly a decade older than Connery in Goldfinger, and Hedison, who was 19 years older than Dalton in License to Kill — as have builds and ethnicities. The better portrayals are described by experts as “swaggering” (Lord), “relaxed and charming” (Van Nutter), and Hedison lent the role an “understated charm” and “genuine chemistry” with Bond.
Given the variety of looks for Leiter in the past, along with the fact that many of the particulars really are inconsequential for this supporting character, I decided not to try to adhere to Fleming’s description of a tall, thin, boyish-looking blonde. However, I did opt to keep him roughly the same age as Bond (i.e., mid-30s to 40ish). I like Ben Foster (5’9″,b.1980) for it, and I think he may be the only actual blonde that I looked at for the role. He’s the right age and general build, but ultimately I decided he was a tad too short and didn’t have quite the right look. Jai Courtney (6’1″,b.1986) has the acting and action chops, but I decided he was a little too young. Similarly, Corey Hawkins (6’3″,b.1988) might have been an interesting choice, plus he’s tall and thin, but he is even younger than Courtney. So, he’s out, too.
Joseph Gordon-Levitt (5’9.25″,b.1981) is my youngest candidate, and he still has a fairly boyish look to him, which certainly works in his favor. On the other hand, he is barely taller than Foster. Still, I think he could do a bang-up job as Leiter. His genre credits include “3rd Rock from the Sun”, “The Outer Limits”, Mysterious Skin, The Lookout, Stop-Loss, Killshot, G.I. Joe: The Rise of Cobra, Inception, The Dark Knight Rises, Looper, Sin City: A Dame to Kill For. I don’t think playing Bond’s CIA counterpart would be too tough for him. Not at all.
My oldest candidate, and what some might consider a surprise pick, is Freddie Prinze, Jr. (6′,b.1976). Prinze’s genre roles were in things like I Know What You Did Last Summer, Wing Commander, Scooby-Doo, No Heroics, “24”, “Bones”, et al. He has also done a lot of voice work over the years, including Delgo, a couple “Mass Effect” games, a couple “Dragon Age” games, “Star Wars: Rebels”, and “Robot Chicken”. He’d probably need to dye his graying hair, but playing Leiter in a Bond film or three might be a great way to get the talented Prinze back into movies.
Possibly my favorite (at least, at the moment) is Matt Bomer (5’11.5″,b.1977). He even played a superspy in a few episodes of “Chuck”. Other genre credits include “Tru Calling”, Flightplan, The Texas Chainsaw Massacre: The Beginning, “Traveler”, “White Collar”, In Time, Space Station 76, “American Horror Story”, and The Magnificent Seven remake. He might need to give the role a harder edge than others he has done, but Bomer has the looks, build, and talent to make a great Bond-ish secret agent. Felix Leiter could be right up his alley.
The best choice of the three would probably depend on who is cast as Bond and the potential similarities, differences, and acting chemistry between them.
That’s it for 007 and associates. Maybe someday I’ll try fan-casting some old Bond villains….
* All ideas copyright Christopher Harris, 2013-2017.
“Need I remind you, 007, that you have a license to kill, not to break the traffic laws.” — Q (Desmond Llewelyn)
In light of the latest 007 news, it seems appropriate that I continue my efforts from a few weeks ago of fan-casting James Bond’s closest associates. (Of course, I already had this planned and nearly finished before the news broke.) My latest is for the beloved ‘Q’….
As you all know, I’m sure, ‘Q’ (short for “Quartermaster”) is the brilliant and innovative engineer who provides Bond (and other agents) with tricked-out sports cars and various weapons and other devices intended to help keep Bond alive and accomplish his missions. In fact, ‘Q’ is the head of Q Branch/Division, MI6’s fictional R&D labs. As per Wikipedia, “Charles Fraser-Smith is widely credited as the inspiration for Q due to the spy gadgets he built for the Special Operations Executive. These were called Q-devices, after the Royal Navy’s World War I Q-ships….”
The character has been portrayed by six men altogether, though only the four pictured here were in official Bond films by Eon Productions: Peter Burton (1962), Desmond Llewelyn (1963-1999), John Cleese (2002), Ben Whishaw (2012-present). Burton played the armourer “Major Boothroyd” in Dr. No, a character Ian Fleming named after Geoffrey Boothroyd, a firearms expert in Glasgow, Scotland, who had given him some suggestions for improving Bond’s firearms. Boothroyd returned in From Russia with Love, this time played by Llewelyn. But, from Goldfinger (1964) forward, the character was referred to as ‘Q’. Llewelyn died in late 1999 and Q’s assistant, ‘R’ (Cleese), got a promotion in Die Another Day (2002). Alas, ‘Q’ was recast along with everyone else for the Craig-era films.
I am not aware of any physical description given for Boothroyd/’Q’ by Fleming in the original novels, though there may be. However, the point is fairly moot, since (like ‘M’) the title has been held by more than one individual over the years. Most of them have been relatively slender and at least 6′ tall. Whishaw is only 5’9″, though, and also seems to be the only one under 40. The older, “consummate professional” versions of ‘Q’ are typically of mixed feelings toward Bond, recognizing the agent’s successful track record, yet often annoyed by his short attention span and a “playful lack of respect for his equipment”. There is usually a bit of verbal sparring between the two, though usually limited to lighthearted teasing, nothing heated. Despite this, the respect is mutual. The dynamic is somewhat different with the now-younger and less experienced ‘Q’, but Bond recognizes and appreciates the younger man’s skills.
My preference would be to cast someone in their 40s to 60s, though I’m flexible on height and general build. In addition to my final three, there were only two actors that I seriously considered for the role before ruling them out, and they happen to be my oldest and youngest candidates, respectively. Brendan Gleeson (6’2″,b.1955) has, of course, been in many things over the past three decades, including genre productions like Braveheart, Turbulence, Mission: Impossible II, Edge of Tomorrow, and three Harry Potter films. James Corden (5’8″,b.1978), on the other hand, has been acting (e.g., “Jack and the Beanstalk: The Real Story”, Pierrepoint: The Last Hangman, Gulliver’s Travels, “Doctor Who”) for about 20 years but is most known these days as the popular, silly host of “The Late Late Show with James Corden” here in the States. Though they didn’t survive my “Top 3” cut, I still think either Gleeson or Corden could do a wonderful job — Gleeson in particular playing Q as uptight and humorless, whereas Corden would be best playing it rather more eccentric, perhaps even goofy.
I’m going to throw a couple Americans out for your consideration first. I think you’ll see, though, how these “out of the box” choices might be surprisingly good candidates for ‘Q’. The last (and oldest) might be a more traditional choice….
A certified genius, Masayori “Masi” Oka (5’6″,b.1974) graduated from Brown University with degrees in math and computer science and a minor in theater arts. He appeared in various small roles in TV and film, while working as a CGI artist for Industrial Light & Magic. He became a genre star with his breakout role as Hiro Nakamura in “Heroes” (and later “Heroes Reborn”). Since then, he has become a semi-regular as Dr. Max Bergman on “Hawaii Five-O” (see pic). His quirky performance and straightforward, somewhat wordy explanations of his findings (to the mild annoyance of the other characters) would, I think, work quite well as a version of ‘Q’, too. If he can’t do a passable British accent, they could have fun with his being a “Yank”.
Neil Patrick Harris (6′,b.1973) came to prominence as a child actor playing “Doogie Howser, M.D.”. He also did voice work (e.g., “Capitol Critters”) and appeared in genre shows like “Quantum Leap” and “The Outer Limits”. Later genre work includes Starship Troopers, “Joan of Arc”, “Dr. Horrible’s Sing-Along Blog” (see pic), and lots more voice work (e.g., “Justice League”, “Spider-Man”). Since his sitcom, “How I Met Your Mother”, ended, he has appeared in Gone Girl, “American Horror Story”, and stars in the new “A Series of Unfortunate Events”. Harris is multi-talented, and I wouldn’t be surprised if he could pull off a good British accent. He could play ‘Q’ as a by-the-book, humorless/sarcastic straight man (pun intended), OR he could play him as a rather fun and eccentric character. Either way, he’d make a great Quartermaster.
I think the first thing I remember taking note of Kenneth Branagh (5’9.5″,b.1960) in was Dead Again, though I don’t much remember the movie. I was, of course, aware of his work in Henry V, and he went on to do other Shakespearean works, as well. I next saw him in Mary Shelley’s Frankenstein with Robert De Niro. Other genre work includes Wild Wild West, Harry Potter and the Chamber of Secrets, Valkyrie, Jack Ryan: Shadow Recruit, “Wallander”, and the recent Dunkirk. Branagh is another top-notch talent — heck, he could direct the film, too — who could do a terrific job as a semi-comedic foil / ally for Agent 007. He is also old enough to be a quasi-mentor or fatherly figure for our 30-something Bond.
I can’t decide which one I like best. You?
* All ideas copyright Christopher Harris, 2013-2017.
Are any of you familiar with DUST? I discovered it the other day, when I came across this short video, based on a Dark Horse comic.
According to its YouTube channel (which I have now subscribed to),
“DUST is the first multi-platform destination for binge watchable sci-fi. We feature science fiction short films and other content from emerging filmmakers with stunning visual effects, captivating plots and complex character explorations. Robots, aliens, space exploration, technology, and human experience are all a part of DUST.”
Sounds pretty cool! In fact, I’ve watched four more and they were all quite interesting and well done. Some very creative and talented filmmakers out there! I just hope I have time to watch more in the future. There’s a website, and you can subscribe to the newsletter and watch the videos from there, if you don’t want to subscribe to the YouTube channel.
I came across another short film, this one by cousins Robbie and Stephen Amell, who I am sure you are familiar with from “Arrow”, “Flash”, and other genre productions. This is a project they put together with a couple friends and got crowdfunded. The setting is “a world where 4% of the population are born with some type of supernatural ability. Instead of being billionaire superheroes, most ‘specials’ live in poverty and resort to crime, forcing the police to become more militarized.”
Follow this link to the short…
Via an Indiegogo campaign, they were able to fund a full-length movie which began production on June 1st, 2017. The movie’s plot involves “Conner Reed (Robbie Amell) [as] a powerful young man who is struggling to pay for his ailing mother’s medical treatment. To earn money, he joins a lucrative criminal world [through] Garrett (Stephen Amell), who works for a drug lord (Greg Bryk).”
They promise “robots, superpowers, and a ton of badass action.” You can find out more about it at code8.com. Current estimated release date won’t be until 2018, possibly that December.
In other news,… it looks like “Miami Vice” may get another reboot, this time on TV. Vin Diesel’s One Race Television production company (working under a deal with Universal TV) has teamed with Chris Morgan Productions to develop the new series for NBC. (Morgan wrote six of the “Fast & Furious” films.) As per Variety,
“Peter Macmanus will write the script, based on the original series. While executive producers haven’t been set, it’s more than likely Macmanus, Morgan, and Diesel will all serve as EPs, along with more staffers from One Race TV and Chris Morgan Prods….”
There have been many reboots in recent years, some good (e.g., “Hawaii Five-O” and “MacGyver” series) and some disappointing (e.g., Miami Vice and The Dukes of Hazard films). And more are on the way (e.g., “S.W.A.T.”). I have mixed feelings about the studios mining so much old material, especially when they rarely retain the quality or charm of the originals. And then they cancel good, new stuff (e.g., “Almost Human”, “A.P.B.”)!
As for this particular effort, I’m not sure we know enough to hazard a guess at what it might be like. On the one hand, having action veterans Diesel and Morgan at the helm is a good sign. On the other hand, the original “Miami Vice” was an iconic, groundbreaking show, with an amazing cast and tone that will be quite difficult to match. I mean, realistically, how can you ever find another Crockett & Tubbs with the chemistry and easy coolness of Don Johnson and Philip Michael Thomas, or equal the quiet steeliness of ‘Lt. Castillo’ as portrayed by Edward James Olmos? Plus, much of the original’s identity is wrapped up in the music, fashion, and zeitgeist of the ’80s, such that I wonder if they’ll need to set the new series in the ’80s, too, just to give it a fighting chance.
At this point, I guess I’ll just say that I am curious and hopeful that they can at least put forth a decent product, even if they can’t quite capture the feel of the original.
P.S. Here’s a fun article — especially for those of us old enough to remember watching the show — re some “Miami Vice” guest stars: “20 Huge Stars You Didn’t Know Were On Miami Vice”.
P.P.S. There is a connection between the latter two items, btw. Sung Kang, who you will remember from a few of Diesel’s F&F movies, appears in Code 8.
Arnold Schwarzenegger — aka “Ahnuld” — just turned 70 years old! Can you believe it?!
For a man who is thick on accent and light on acting talent (though both have improved over time), Ahnuld has amassed an impressive number of movies over the past 40 years or so. He is one of the biggest action-movie icons of all time, not to mention a favorite of comedians and impressionists, and his success shows what big muscles, snappy one-liners, a handful of memorable roles, and a lot of hard work and ambition can earn you in Hollywood. Plus, he has that Ahnuld charisma. Despite his faults, he seems like a decent chap, too.
I wouldn’t say I’m his hugest fan, but I *do* like him and have seen (and mostly enjoyed) many of his films. So, I thought it might be fun to come up with a list of my favorites and share them with you. Sort of like what I did with Kurt Russell, but with a little less emphasis on the roles specifically and more on each movie as a whole. I limited myself to those that he (co-)stars in (as opposed to small supporting roles or bit parts).
You will notice that there aren’t any comedies on my list. This simply isn’t Ahnuld’s strong suit. I mean, he has some of the best one-liners in his action movies, but his “comedic stylings” just aren’t enough to carry a movie. If pressed to pick one comedy, I’d go with Twins, in which he co-starred with Danny DeVito. Certainly it was better than Junior (also paired with DeVito), Kindergarten Cop, or Jingle All the Way. (I never saw The Villain (1979), aka Cactus Jack, but I understand it wasn’t so great, either.) I hope the upcoming sequel, Triplets, which adds Eddie Murphy to the mix, will be reasonably entertaining and not rely on too much crude humor or stupidity.
You’ll also notice, I’m sure, that I don’t have either of the Conan movies (or Red Sonja) on my list, either. His first starring role was as Hercules in New York (1970), but the Conan role 12 years later was his first success as an action movie star. For some people, especially those who followed him as a bodybuilder, too, the Conan flicks are “classics”. Personally, I never got too much into the ’80s swords-n-sorcery subgenre (with a few exceptions), even those with a comic book tie-in. Another sequel, The Legend of Conan, has been announced, which will bring Ahnuld back into the title role. Do we really want to see a septuagenarian Conan fighting monsters and barbarian hordes? Hmmm, as long as he’s in decent shape, maybe…
OK, my Top 8 in chronological order…
The Terminator (1984): Any Ahnuld fan has to put this film in any Top X list. I mean, this is the one role that launched him to superstar status. Of course, visionary writer/director James Cameron and the rest of the cast — including Linda Hamilton, Michael Biehn, Lance Henriksen, Paul Winfield, et al. — were also instrumental in creating this amazing sci-fi/action film. But, it was Ahnuld’s portrayal of the time-traveling, cyborg juggernaut that helped to define this movie. I can’t imagine anyone else in the role that would have had nearly the impact. (I have, however, tried re-casting it with a more current crop of stars, much as I recently did for Predator.) There were so many great, memorable scenes! Ahnuld’s Austrian accent wasn’t much of an issue, either, since the Terminator didn’t say much. And, of course, “Ah’ll be back.” has become such an iconic quote that everyone one knows it’s Ahnuld, even if they aren’t sure which movie it’s from.
Commando (1985): I wrote many months ago that I’d like to see a sequel to this film. Ahnuld played Col. John Matrix, a “retired elite Black Ops Commando [who] launches a one man war against a group of South American criminals who have kidnapped his daughter.” Co-starring Rae Dawn Chong, Dan Hedaya, Alyssa Milano, et al., this was the kind of story that makes you root for the hero to “get the girl” and show the baddies that he’s one guy they definitely should *not* have messed with. He brutally punches, snaps, stabs, slices, shoots, and blows up the bad guys in order to find and rescue his young daughter. Violent? That’s an understatement. Plenty of clever (or silly) one-liners, too. (Fun Fact: One of the writers was Jeph Loeb, who went on to write tons of comics and write/produce things like “Smallville”, “Lost”, “Heroes”, and many Marvel productions.)
Predator (1987): In a lot of ways, I suppose Major “Dutch” Schaefer could have been called Col. John Matrix. They are both muscle-bound, highly-skilled commando leaders trying to survive extremely difficult situations against deadly foes. (Kinda like a certain “John J. Rambo”.) This was another iconic film in the sci-fi/action subgenre, and one in which Ahnuld got to fire big guns, smoke big stogies, and show off his big muscles. Some pretty good quotes, too. (For example, “If it bleeds, we can kill it.”, “Get to the chopper!”, and “You are one ugly m____rf____r.”) Great cast, cool concept, and Ahnuld gets to match wits, weapons, and muscles with a monstrous alien trophy hunter. What’s not to like?
The Running Man (1987): This one might surprise you, since it isn’t one of Ahnuld’s better known films. But, it sticks in my mind for at least two reasons. First, it’s one of those stories where the protagonist has to fight his way through a number of individual opponents to survive, but this time it’s a deadly game show. Second, the main villain of the piece is played by the original host of the “Family Feud” (1976-1985), Richard Dawson. (I don’t know who thought of that bit of casting, but Dawson actually did a decent job of it.) Maria Conchita Alonso and Yaphet Kotto are in it, too. The costumed and specially-armed foes Ahnuld’s character has to fight are Subzero (Professor Toru Tanaka), Buzzsaw (Gus Rethwisch), Dynamo (Erland van Lidth), Fireball (Jim Brown), and Captain Freedom (Jesse Ventura). Fun, fun, fun!
Total Recall (1990): I never read the original short story “We Can Remember It For You Wholesale” by Philip K. Dick, but I very much enjoyed the first big-screen adaptation, Total Recall. (The 2012 remake? Not so much, though it was OK.) Ahnuld’s ‘Douglas Quaid’ is just some working-class guy who suddenly gets his world turned upside-down, not knowing what’s real and what’s implanted memory. The answers seem to lie on Mars, so off he goes! The near-future looks a lot like today — a mix of shiny and grimy, pretty and nasty — but with some mutated humans and some cool tech thrown in. (You need to overlook a scientific impossibility or two, though.) Nice combination of sci-fi, action, and mystery/thriller, with a terrific supporting cast (i.e., Sharon Stone, Ronny Cox, Rachel Ticotin, Michael Ironside). You can just watch it for the action or ponder the deeper, moral & existential questions raised. A real rollercoaster ride and definitely worth the time, imo.
Terminator 2: Judgment Day (1991): Ahnuld returns as another T-800, but this time one who is programmed to keep the target of another Terminator alive. Very similar yet different from the first one, the film was one of those rare sequels that is arguably as good as its predecessor. (Some might even say better. Not me. But some.) Of course, Robert Patrick’s portrayal as the nigh-unstoppable, liquid-metal T-1000 was a breakout role for him. But, it was still Ahnuld’s (and Linda Hamilton’s) movie. Lots of great action and suspense, along with some humor. Overall, a great movie, sequel or not.
P.S. Can you believe that Edward Furlong, who played young John Connor, just turned 40?!
True Lies (1994): I’m not exactly a fan of Tom Arnold, but he did a fair job here. I like Jamie Lee Curtis OK, and she made a surprisingly good wife for Ahnuld’s secret agent, ‘Harry Tasker’. Throw in Bill Paxton, Tia Carrere, Eliza Dushku, and even Charlton Heston, and you have a pretty solid supporting cast. Harry has to track down stolen nuclear weapons that are in the hands of fanatic terrorists, while also trying to keep his wife out of danger and still maintain his civilian identity. Loads of action and hilarity ensue, of course, and Ahnuld does well as a globe-hopping secret agent. It feels like a cross between James Bond and a classic Disney caper. Fun for all! (Well, maybe not youngsters.)
Eraser (1996): “A Witness Protection specialist becomes suspicious of his co-workers when dealing with a case involving high-tech weapons.” That specialist is Ahnuld… or, rather, U.S. Marshal John ‘The Eraser’ Kruger, who starts out thinking his only worry is his latest assignment — i.e., the relocation of ‘Lee Cullen’, played by Vanessa Williams. Poor Kruger ends up going on the run with Lee, as they try to avoid being captured or killed by some misguided and/or corrupt Marshals and other law enforcement. In addition to Ahnuld and Williams, you have James Caan, James Coburn, James Cromwell, Robert Pastorelli, Danny Nucci, Mark Rolston, John Slattery, et al. It’s another terrific group supporting Ahnuld and making for a gripping, pulse-pounding action/drama/mystery movie. (Oh, and that alligator scene…!) Two thumbs up!
Of Ahnuld’s more recent films, as of this writing I have not yet seen Escape Plan (2013) (with Stallone), Sabotage (2014), Maggie (2015), or Aftermath (2017). I need to add them to my movie queue, I suppose. Who knows? Maybe after watching them, I’ll be able to round out my Top 10….
What are your favorite Ahnuld movies and why?
Here’s the latest issue of the quarterly ‘Official Mr. Zeus Fanclub Newsletter’ for your (hopeful) enjoyment and entertainment. (For the first 10 installments, follow the ‘Mr. Zeus Posts’ link at the top of the page.)
I have mentioned in the past that I work out in my basement, both for exercise and as a stress-reliever. I have also mentioned that I sometimes will change things up by flying — very fast — to the middle of nowhere and letting loose — punching, pounding, digging, stomping on very large rocks, the ground, etc. I’ve even been known to carve large objects into a hillside or rock quarry. On one occasion, though, I got sidetracked and never made it out to the “badlands” for my “work out”. And I’m very glad I didn’t, ‘cuz I met my “neighbor” (though he lives a couple hundred miles away) for the first time, and he has been a good friend ever since.
I’ll call him “Joe” in order to maintain his privacy. Joe is a rancher with many acres of property out in Texas. (Montana, too, but he rents that out.) On the evening we met, he and his ranch hands were rounding up some cattle, and I hovered above (and out of sight) to watch. A thunderstorm was rolling in, and they were trying to get the animals — at least 1000 of them — back to the barns before it hit. I kept an eye on the stormclouds and realized that they were moving pretty fast. I also noticed that the cattle were being led across an old, dry creek bed at the foot of some hills with some leftover snow at their tops. I’m no outdoorsman, but something I’d read or seen made me think that the cattle were in danger of being caught in a flashflood, if they didn’t get well away from that creek bed.
I landed around the bend so as not to spook the animals or the men, then I walked up to the nearest hand and asked him who was in charge. Joe rode over and I quickly explained who I was and what I saw. I suggested that I probably had enough time to fly all the cattle — two at a time — at superspeed back to the barns. But, after two trips, I could see that the poor critters were really freaked out, and Joe agreed that we shouldn’t traumatize them if we could help it. The storm was thundering and almost on us, and I suddenly got an idea… Long story short, I managed to dig a big trench half-way around the two nearest hills, buying Joe and his men enough time to get the rest of the herd across the creek bed and around to the other side of another (large) hill before my makeshift moat overflowed and the water rushed down the creek bed. It was raining pretty hard by then, but the barns were only a half mile away, and the lightning & thunder gave everyone — including the cattle — extra incentive to move faster.
Afterward, Joe invited me inside to dry off by his fireplace. We shared a couple of beers and really hit it off. In fact, I drop by his place whenever I can, now. Weather permitting, we typically sit on his porch and admire the view, while talking about whatever’s on our minds. Sometimes it’s business (his or mine), sometimes it’s personal. We talk about sports, politics, religion & philosophy, law enforcement, current events,… whatever. Joe is about 20 years older, so he treats me sort of like a son, which is fine by me. (His son died of cancer as a child, but he has a daughter in grad school.) I love listening to his stories about ranching and serving in the Army and just life in general. He’s a common-sense kind of guy, and very sharp — streetwise, which is an odd term to apply to him, since he doesn’t care for the city. I’ve spent many evenings with Joe, just “jawin'” and listening to his wise words. (Btw, his wife Judy is an awesome cook and a smart, terrific lady, too.) When Joe’s 80-year-old father, Big Jim, joins us, that’s the best! Jim is a real trip, very funny, and also one of the wisest men I know.
“A Man of Many Words”
Someone asked me the other day about my reading tastes and habits. A bit of an odd question for someone like me, since most people assume I don’t have much brains — or intellectual curiosity — to go with the brawn. I’m no genius, but as most of my fans know, I do read on various topics. It’s a practice I started as a kid, slacked off on for a few years, then resumed when I became a superhero. In the past, I have recommended that superheroes get a foundation in various subjects to help with solving crimes, perfecting one’s abilities, dealing with tech, etc., and that involves reading.
I still do some reading along those lines, though I’m not at the moment. I’m pretty busy (see below), but I always try to set aside time to read during lunch (assuming I’m not eating with someone else) and for an hour or so before bed. I also long ago developed the habit of keeping a book with me — either hard copy or audiobook — when running errands or going to an appointment of some sort, when I might have a few minutes of waiting around. Why waste time twiddling my thumbs or flipping through magazines when I could be reading a good book, maybe even learning something? In addition, I usually listen to an audiobook or an educational lecture/podcast while working out in my gym.
What do I read? Well, on the non-fiction front I typically have at least a couple books in progress, sometimes three or four. Topics include American and world history (including biographies), politics & culture, theology, philosophy, popular science, and recently some on writing fiction. Right now, I’m reading a biography titled Churchill: A Study in Greatness by Geoffrey Best. It’s a tad dry in places, but any history buff will enjoy it. Churchill was a fascinating guy! I’m about half-way through a collection of essays by renowned economist Thomas Sowell, too. (Can’t remember the title at the moment.) It’s not as boring as it sounds. Sowell was a columnist for decades, and he wrote about all sorts of political and cultural issues. Very smart man! (His books on economics are actually pretty good, too, and geared more for the average reader.) I’m also just starting a book by Christian speaker/apologist Greg Koukl called The Story of Reality: How the World Began, How It Ends, and Everything Important that Happens in Between. Rather bold and intriguing title, eh? Koukl has a very engaging style and conversational tone, as he explains the basics of the Christian worldview as a picture of reality. So far, I’m impressed.
As for fiction, I read a mix of crime, spy thriller, mystery, action/adventure, sci-fi and fantasy. Over the past couple years, I’ve been re-reading some classics from Isaac Asimov, Philip Jose Farmer, Larry Niven, Arthur C. Clarke, and other science fiction legends, as well as getting into some newer stuff — at least, new to me. So, for example, I recently read Asimov’s The Naked Sun (second time) and Haldeman’s The Forever War (first time), and I started series by David Weber, Robert Sawyer, and Kevin J. Anderson. I am now reading Harry Potter and the Deathly Hallows for the first time. (Yes, I occasionally read young-adult fiction.) I’m a bit late to the party with the whole Harry Potter craze, since I’m finally finishing the series 10 years after the last book came out. Gotta say, though, I find them highly entertaining! Meantime, I am listening to an audiobook edition of Rules of Vengeance by Christopher Reich. It’s my second book by Reich, and he’s a nice addition to my “collection” of favorite authors. However, my other new discovery, which I enjoy even more, is Gregg Hurwitz. The first book of his I read — well, listened to — was Orphan X, which was excellent. It spurred me on to try one of his older works: The Crime Writer. Very different plot and protagonist, but also very good. If you like the above genres, then you’ll probably like Hurwitz’s stuff, too.
“Q & A”
You might remember an earlier issue of the newsletter where I answered a few questions that people at cons and book signings had been asking me. Of course, people (like, you guys) ask me questions by mail, too. So, I figured I’d round out this issue by responding briefly to a few of those here for everyone’s benefit….
Q: What do you do in your “down time” to relax? (Peter S. from Chattanooga, TN)
A: To be honest, I don’t have much down time, lately. I’ve told you about some of the activities I’m involved with (e.g., part-time crimefighting, working on ILEAD’s Hero Training Program, writing, public appearances, etc.), and they keep me pretty darn busy. But, as I explained above, I do quite a bit of reading — both fiction and non-fiction. My gym workouts are “down time”, I suppose, but hardly relaxing. Occasionally, I find time to chill out with a movie or TV series. (Confession: I own every single Star Trek series and movie on DVD. Also, Babylon 5 and Battlestar Galactica.) In fact, I have been known to host movie parties with friends at my place.
Q: Do you do any work for the environment? (Warren Z. from Portland, OR):
A: I assume you are talking about ecological stuff, protecting wildlife and things like that? Well, I have been involved in a number of clean-up operations following natural disasters — from hurricanes to oil spills. I am concerned about some ecological/environmental issues, but I’m not an activist, by any means. Also, my position is more conservationist than environmentalist. (See this brief explanation of the difference.)
Q: What injuries have you sustained while “adventuring”? (Kelly P. from Fort Hood, TX):
A: Several, but most mend within seconds, minutes, or hours (depending on severity), thanks to my enhanced healing ability. Also, my near-indestructibility makes is pretty darn difficult to damage me. So, for example, high-caliber bullets or explosives at close range might slightly bruise or scorch my skin, but not enough to slow me down, and that stuff heals really quickly. The more serious injuries were a few broken bones (e.g., 3 toes, left ulna, both femurs, 3 fingers, right thumb, 4 ribs) and some internal bleeding/damage from doing battle with the strongest and most powerful foes (e.g., CrimSun, Visigoth, Summerset, the Gargantosaur).
Another issue hot off the presses!
* All ideas copyright Christopher Harris, 2013-2017.
I wanted to tell you briefly about a couple of websites I recently came across that you might also enjoy.
As the Welcome statement on the site states, “Merriam-Webster defines trope as a ‘figure of speech.’ For creative writer types, tropes are more about conveying a concept to the audience without needing to spell out all the details.” However, it is online Merriam-Webster’s second definition that is more appropriate here: “a common or overused theme or device : cliché”.
The site, which is no longer limited to TV shows, is all about those plot devices, themes, stereotypes, etc., that frequently show up in various large- and small-screen productions. These tropes and subtropes are given names — e.g., “Book Dumb”, “Let’s Split Up, Gang”, “Lampshading”, or “Rule of Sean Connery” — and then various movies, TV series, and characters are described using these (sub)tropes. (It’s a little bit hard to describe unless you go there.) As you read descriptions of the (sub)tropes, you’ll be saying to yourself, “Oh, yeah, like when…” multiple times. You can browse by genre, media, narrative, topical tropes, or other categories.
In addition to being an “authority” site (sort of), it is also a community. For example, members can go to the “Trope Finder” page to ask fellow-members things like “Do we have this one?” and “What’s the trope about…?” The “You Know That Show…” page is for when you’re trying to remember the name of a show/movie that just escapes you. So, you can try describing it to the community and hope that someone else can identify it for you. Similar pages include “Ask the Tropers”, “Browse TV Tropes”, and “Trope Launch Pad”.
I’m not sure how much I’d actually use this site on a regular basis, but it might be handy to have access for when I do need a research assist. How about you?
Did you know there was a Museum of Science Fiction in Washington, D.C.? Well, there isn’t… not yet, at least. The group that runs the site (which I assume is legit) is a 501c(3) nonprofit organization that has been seeking talent and funding since 2013 to make the museum a reality.
Their initial team of 38 volunteers made “significant progress on everything from curatorial aspects such as gallery design and visitor experience to the non-profit management areas of development, project management, education, information technology, public relations, marketing, finance, accounting, and legal compliance.” From there, the first step was to develop “a 3,000-square-foot preview museum where we can test exhibit concepts and new interactive technologies to share a real-time look into this grassroots effort.”
As per the “Preview Museum” page,
“By starting with a small preview museum, doors can open sooner and set the stage for completing the full-scale facility within five years. During this time, the Museum will annually change out the exhibits, stories, and educational content to highlight the best achievements in science fiction and its continuing impact on our culture.
The Preview Museum’s architectural design is modular and highly portable to allow for easy relocation to other cities (such as New York or Los Angeles). After its tour, the Preview Museum will be added as a wing to the full-scale facility….
Our mission is to create a center of gravity where art and science are powered by imagination. Science fiction is the story of humanity: who we were, who we are, and who we dream to be. The Museum will present this story through displays, interactivity, and programs in ways that excite, educate, entertain, and create a new generation of dreamers.”
Meanwhile, they have (co-)sponsored various competitions (e.g., the “Deep Ocean Research and Robotics Competition”) and two annual “Escape Velocity” events — i.e., “a micro-futuristic world’s fair designed to promote STEAM education within the context of science fiction.” They also continue to add content to the museum web-site, and in Jan. 2016 launched the MoSF Journal of Science Fiction, which includes both researched academic articles and short, reflective essays.
If you are curious about the journal’s content, follow the link. Also, here is the Table of Contents for the first issue:
- Reflecting on Science Fiction, Monica Louzon
- Biogenetics, The Nation, and Globalization in Paolo Bacigalupi’s Critical Dystopias, Derrick King
- Gods of War Toke While Riding a Vimana: Hindu Gods in Three Indian Science Fiction Novels, Sami Ahmad Khan
- Loving the Other in Science Fiction by Women, Karma Waltonen
- Paul’s Empire: Imperialism and Assemblage Theory in Frank Herbert’s Dune, Amanda M Rudd
As of this writing, three issues have been published (see pic for #3), and they are downloadable for free in PDF format.
I don’t know when I’ll have time to look at this more, especially the journal (though I downloaded all 3 issues), but it all looks & sounds pretty cool to me!
[Note: The following was originally published as “Lead, Follow, or Get Out of the Way” on my ‘A View from the Right’ blog, but the source and subject matter fall under “science-fiction” (for now). So, I thought you all might appreciate it, as well.]
This blogpost is probably not about what you think it’s about.
Based on the title — a phrase variously attributed to Thomas Paine, George S. Patton, Laurence J. Peter, and “Anonymous” –, one would most likely think it is about leadership in general, or maybe with a business/entrepreneurship or military emphasis. It’s not. The title is from a chapter in the science-fiction novel Transhuman by Ben Bova, and the subject is about the human lifespan and the potential impact of medical/genetic technology that would greatly increase our longevity. In context, then, the title refers to the scientific and political/economic aspects to such a development, but also the societal changes overall. (I guess there is a business aspect, too, come to think of it.)
Many people like to dream about how great it would be if they lived a couple hundred years or more instead of mere decades — preferably in good health, of course. But, we don’t often think through what the effects on modern society might be. It’s an intriguing topic, and I thought that Bova (via his characters) hit on some interesting points. Not every area that would be affected, of course, but some. I considered trying to summarize it all, but it works much better as played out between the characters. So, I decided to cite (with minor edits) some of the conversation from the book. Hope you find it interesting….
SPOILER! SPOILER! SPOILER! SPOILER! SPOILER!
“Do you realize what you’ve done?” Rossov snarled…. Shaking his head, Rossov said, “I don’t think you understand what you’ve let loose. Curing cancer. All sorts of people living past a hundred. It’s a disaster.”
“It’s a revolution,” said Luke. “What the hell are you so spooled up about? This is the best news the human race has had since… since Watson and Crick unraveled DNA.”
Rossov moaned. “Death rate going down. Lifetimes doubling. That’s a disaster, Abramson! A f_____ disaster!”
Genuinely puzzled, Luke asked, “What the hell are you talking about?”
“You’ve ruined Social Security. We’re already going broke with Medicare. And the whole insurance industry, too. You’ve wrecked the American economy.”
Jabbing a finger at Luke, Rossov insisted, “The economy can’t survive having a nation full of centenarians! It’ll break the bank.”
Luke felt growing anger simmering inside him. These chowderheads don’t understand, he realized. They don’t understand anything at all.
He rose slowly to his feet. “You just don’t get it, do you? You can’t stop this. You can’t put a cork in scientific knowledge. What I’ve done is just the tip of the iceberg. We have the knowledge, the power, to transform the human race.”
“And ruin the country.”
“Change the country. Change the world.” Luke started to pace across the office, but his ankle flared and he sank back onto his chair. Still, he continued. “We’re going to be able to extend human life spans indefinitely, sooner or later. Prevent genetic diseases like cancer, Alzheimer’s, Parkinson’s. Stem cell therapies will repair failing hearts, rebuild nerves and any other tissue that’s been damaged, regrow limbs that have been lost –“
“By killing fetuses,” Rossov growled.
Luke waved the thought away. “We don’t need fetal stem cells. We can take stem cells from your own body. Or regress skin cells to become stem cells.”
“I’ve read reports on that,” said Colonel Dennis.
Turning in his chair to face Rossov squarely, Luke said, “You think we’re going to have a country full of pathetic, creaking old geezers. Well, that’s wrong. Look at me! I’ll be seventy-five in a couple of months, but somatically — physically — I’m like a forty-year-old. And I’m going to stay this way for a long time.”
“That’s the f_____ problem,” Rossov muttered. “Millions of people living to a hundred and more….”
“It’s not a problem,” Luke countered. “We’re entering a new era…. What I’m telling you is that people will be healthy and vigorous all their lives. So they live to be a hundred and fifty, two hundred, so what? They won’t need Social Security or Medicare. They’ll be working, going back to school, starting new careers for themselves.”
Fisk’s eyes narrowed. “They’ll continue to be consumers.”
“Damned right,” said Luke. “They’ll continue to buy cars, homes, take vacation, overseas trips–“
“Have babies,” said the colonel.
“You just don’t understand,” Rossov repeated. “You think your transhumans are going to give up their Social Security benefits, their Medicare, their pensions just because they’re feeling spry and healthy? In your dreams! This is going to destroy the economy.”
“No,” Luke replied. “It’s going to change the economy. And you politicians are going to have to make some real changes to Social Security and Medicare and the rest.”
“Change them? That’s impossible. Political suicide.”
“Then we’re going to have to find political leaders who can make it possible.”
Rossov glared at him.
“Besides,” Luke went on, “this isn’t going to happen all at once. We’ve still got a lot of work to do. You won’t start to see any major effects for another five, ten years.” …
Luke pointed out, “I’m not the only one working in this area. Sure, I’m ahead of all the others, but sooner or later some bright researcher would hit on the same idea. You can’t control everybody. You can’t stop people from thinking, learning.”
Rossov muttered, “And you can’t drop a bombshell like this without dislocating the economy. We’re having a tough enough time keeping Social Security and Medicare properly funded. Now…” He sank his head into his hands.
“Now,” Luke took up, “you’re going to have to get those egomaniacs in Washington to do the jobs they were elected to do. You’ve got at least five years to do it, maybe ten. Instead of trying to stop this transformation, get to work and prepare for it.”
“You’ve never tried to work with the Congress,” Rossov moaned. “You’ve never tried to move the bureaucracy.”
Luke snapped, “Then get out of the way, buster, because the change is coming, whether you like it or not.” …
Rossov looked dubious, but Fisk went on grandly. “Transhumans. It’s exciting. People staying young, vigorous past a hundred. Active.” [To Luke, he said,] “You’re still under contract to me, you know.” … Fisk’s tentative smile widened into a happy grin.
“So you peddle your fountain of youth to the masses,” Rossov growled.
“That’s right,” said Fisk. “And you start getting the government ready for the changes that are coming.” …
“What choice do I have?” Rossov said bleakly.
“No choice at all,” said Luke. “The change is coming. Either you take credit for it and try to lead the country or you’ll get rolled under by it.”
“It’s impossible,” Rossov muttered. “You have no idea how impossible it is.”
Luke shook his head at him. “Listen, pal, you either lead, follow, or get out of the way.”
Rossov isn’t exactly the most sympathetic character in the novel, but I had to chuckle sympathetically at his frustration in this scene. Not only does he need to come around to a new way of thinking, but as the White House’s representative, he needs to get the President on board and then will likely be tasked with getting entrenched politicians, lobbyists, and Washington bureaucrats to wake up to the new reality, too. Poor guy!
This excerpt only briefly touched on matters such as ethics and responsible science. (For example, just because a thing can be done does not mean is should be done.) The book examines some of these questions a bit more but also raises others. There are also the very practical matters of how to implement the life-sustaining treatments going forward, especially since there will be limited supplies, great expense, a variety of reactions by the populace, etc. Quite a complicated mess, both ethically and practically, if you ask me. And figuring out the answers is “way above my pay grade”, though I might return to the topic at some point.
Meantime, give the book a try, whydontcha? It’s a pretty good read — or, listen on audiobook (as I did).