“It took someone coming back from the dead to realize that I’ve been dead, too. The problem is, I never really figured out how to live.” — Jessica Jones
As I watch a series that I know I’m going to be reviewing here, I try to notice things and jot down observations and ideas as I go. When I started watching the second season of “Jessica Jones”, I had a few thoughts, of course, but I couldn’t get into it. It was just more of surly, drunk Jessica treating herself and her friends, family, and associates badly. (I don’t find Krysten Ritter particularly attractive, either, so there wasn’t even that very shallow aspect to enjoy.) Some of those supporting characters were doing mean or stupid things, too. To be honest, I wasn’t sure I wanted to write this review, but I felt sort of obligated.
SPOILERS! SPOILERS! SPOILERS! SPOILERS! SPOILERS! SPOILERS! SPOILERS! SPOILERS!
Then, I started to notice something else. I began to see the parallels between the individual characters’ stories, and I appreciated more what the writers were doing. Yeah, OK, maybe it was obvious to you. But, sometimes I get so wrapped up in other stuff that the finer points — or, perhaps it’s the “big picture”? — get past me.
Trish/Patsy: On the one hand, Trish is so wrapped up in her career, that she’s willing to throw away a relationship with a genuinely good guy. On the other hand, she’s so obsessed with somehow obtaining superhuman abilities of her own, ostensibly so she can be a champion for the people, that she ends up throwing away her career and putting her own health and safety — her life, really — at risk. Along the way, she lies to and manipulates her friends and family, alienates fans, and threatens to destroy someone else’s career (though that guy sorta deserved it). And don’t get me started on her overbearing mother….
Malcolm: This poor guy can’t seem to catch a break. His boss (Jessica) verbally abuses him and constantly takes him for granted. The woman he has a crush on (Trish) finally pays attention, even sleeps with him, but it turns out she’s just using him for her own, selfish reasons. He gets the crap beat out of him, and Trish almost gets him — a recovering addict — hooked on something new and dangerous. His loyalty is constantly being tested. Like they say, with friends like these…. One of the ways he “copes” is by engaging in a few one-night stands — looking for affection or approbation, I suppose. In the end, at least, he starts making some hard choices and gaining some independence.
Jeri: I can see why they replaced frumpy, hetero, male Jeryn Hogarth with an attractive, lesbian version. Much more “exciting”, and it gets the LGBT vote. But, this gal does not have it all together. Her former employee/girlfriend is suing her, and her law partners are trying to kick her out of her own firm. Then she’s diagnosed with ALS. What does she do? Parties with ladies of the night, gets dirt on her partners in order to blackmail them, and sleeps with the homeless girl (and protected witness, of sorts) that she’d given sanctuary in her home. The normally sharp Ms. Hogarth allows herself to be conned into thinking she’d been healed, then her home is burglarized by those she trusted. Ouch!
Alisa: The character of Jessica’s previously-thought-deceased mother, played by Oscar-nominee Janet McTeer, is introduced. Happy reunion? Not exactly. Turns out, Alisa is the superpowered individual who has been hunting & killing people in Jessica’s orbit. The experiments that gave her the powers (like Jessica’a) also gave her a hair-trigger temper, so she’s got serious “anger management” issues that put those around her in danger. Thus, the faked death and her isolation — with the mad doctor responsible, who she’s fallen in love with — for 17(?) years. Once she finally meets her daughter, they clash both physically and ethically. Will she survive on the run (with or without Jessica), or go to prison for the rest of her life, or is she destined to be killed by law enforcement?
Jessica: As previously mentioned, our protagonist still struggles with many issues, mostly derived from childhood trauma and psychic (and perhaps physical) rape/torture by Killgrave, which she “deals with” by constantly drinking, acting like a jerk, and occasionally banging a random stranger. (Of course, with her enhanced constitution, it takes 3x the usual amount for her to get buzzed, let alone drunk.) Another big factor is the fact that she killed Killgrave (last season), and it is eating at her, such that she wonders if that makes her a “murderer”. Her P.I. business is barely surviving, and now a larger firm is attempting to eliminate the competition one way or the other. Her landlord wants to evict her, and the new super is more than happy to help — at least, at first. Her friends (i.e., Trish and Malcolm) are always “nagging” her. And, then, her murderous mother (who is even stronger than Jessica) enters her life, and Jessica is torn about whether or not to assist the cops in bringing Alisa in versus letting Alisa (and the doc?) escape versus going on the run with her herself. Meanwhile, she has to constantly (try to) keep dear ol’ mom from ripping limbs off of people who she feels threatened by or beating them to death. Oh, plus, she then finds herself (somehow) in a relationship with the formerly hostile new super, which adds unwelcome wrinkles to whatever plan she adopts for the future. Sheesh! Given all of this, I guess I do feel badly for our reluctant hero. She has good reasons to feel angry, frustrated, and to put up those defensive “walls”.
So,… all of the primary characters are dealing with some pretty heavy issues — identity crises, varying types of abuse, perceived betrayal, uncertain futures, etc. –, both personal and business-related. In response, they abuse various substances, have frivolous sexual encounters, do some other rather selfish things, even commit crimes. I’m guessing they all know what the right thing to do is, but it’s a struggle, and they all screw up on several occasions. If they were my friends, I’d be rather disappointed in them, even while trying to be sympathetic regarding their respective “issues”. I have to admit, though, it all sadly has a pretty realistic feel to it. And realism, after all, is a hallmark of these Netflix shows. (Except for, you know… the superpowers stuff.)
On another, related matter…
Personally, I thought the “love scenes” — which there were more of, this time around — were a bit gratuitous. I mean, yes, they made sense within each character’s journey and how they were dealing with stuff. But, we don’t need to see/hear, for example, Jessica getting humped in a bar restroom or Jeri getting high (and making out) with lesbian/bisexual hookers to get the idea. There are less in-your-face, more PG-rated ways of letting an audience know what’s going on (or about to, or just did). Call me old-fashioned, but I prefer more restraint and self-censorship. I guess the assumption is that if they’re doing ‘R’-rated violence, they “have” to do ‘R’- (or, at least, PG-13-) rated sexuality? However, I do appreciate that there wasn’t much, if any, nudity — although, I may have missed something when fast-forwarding past those scenes.
Despite this, I liked Season 2 better than the first one. As terrific as David Tennant’s portrayal of Killgrave was in Season 1, the subject matter was not to my liking. Of course, the theme of “abuse and how to deal with it (or not)” has become central to the series. But, this season felt a bit more… comfortable(?), I guess. I dunno. I also liked the hopeful note that the finale left on for some of our main characters: Mal’s new job, Trish’s recovery (and then some), Jessica’s settling into her new relationship with Oscar. (I suspect, though, either she’ll screw it up in Season 3 or something bad will happen to him. Shame, too, ‘cuz I like Oscar. And his kid.)
Overall, I give Season 2 of “Jessica Jones” a solid ‘B’, maybe ‘B+’.