“Ex Astris, Scientia!” — official motto of Starfleet Academy
Time for a few genre news updates that you might have missed. (Or not. Indulge me…)
First up… Star Wars: Rogue Squadron. The film was announced in Dec. 2020 with a release date in Dec. 2023. Wonder Woman‘s Patty Jenkins was set to direct from a story she would collaborate on with Matthew Robinson (Love and Monsters). But, as reported in Nov. 2021, Jenkins’ busy schedule with other projects resulted in the film getting shelved with an uncertain future.
In a recent podcast interview, Jenkins revealed that she had signed a deal with Lucasfilm right about the time the SAG-AFTRA strikes began. Now that that business has all cleared up and the possible Wonder Woman 3 project has been cancelled, she is freed up to get the Rogue Squadron development underway. Her priority now is getting a completed script to Lucasfilm. Fingers crossed that everything progresses smoothly and we finally get a good, new addition to the Star Wars franchise.
Switching franchises,… James Gunn and DC Studios recently announced that a live-action Teen Titans movie is being added to the slate of projects revealed back in Jan. 2023. The film will be written by Ana Nogueira, an actress (“Hightown”, “The Blacklist”) whose only writing credit — at least, on IMDB — is the currently-in-pre-production Supergirl: Woman of Tomorrow. I hope this is a good choice — “new blood” and all that — but part of the problem we have seen with disappointing genre films lately is due to relatively inexperienced writers and directors. So, this may not bode well.
The film will have no connection with the live-action “Titans” TV series that recently ended its four-season run. I think this is a good thing. For one, that show had a decent finale; for another, I hope that the film will be somewhat “mature” but less dark (whether for a standalone or first film) than the TV series was. I also hope the casting and writing are more faithful to the source material.
As of this post, no announcements have been made about cast, director, plot, or tentative release date.
I wrote last week about the Star Trek: Section 31 movie that recently finishing filming. But, another highly-anticipated Star Trek project is “Star Trek: Starfleet Academy”. It has been almost exactly a year since CBS/Paramount announced that the much-rumored streaming series had indeed been approved and a first season ordered. Filming was set to begin in 2024 for a likely 2025 premiere.
Development slowed during the strikes and further news had been virtually non-existent. Until last month, that is, when franchise-boss Alex Kurtzman revealed a few tidbits about the young adult-oriented series in an interview with Collider. For example, the writers and set-builders are now hard at work during the pre-production phase (more on this later), but filming should begin late this summer. The first season is expected to have 10 episodes, but it probably won’t air until sometime in 2026.
“There’s a lot of different kids from a lot of different places. Some of them want to be there, some of them don’t want to be there. It’s gonna be a fundamental reinforcement of all the things we love about Starfleet, in general.” — Alex Kurtzman
Kurtzman also stated that (re-)building “that optimistic future that is Roddenberry’s essential vision… is very much going to be at the heart of Starfleet Academy.”
More recently, it was confirmed that the show will take place in the “Discovery” time period (i.e., 32nd century). But, whether or not the beloved Lt. Tilly will be involved has not been confirmed at this stage. No cast at all has been announced. But, we do know that Tawny Newsome, who voices ‘Mariner’ on “Lower Decks” is part of the writing team. Gaia Violo (“Absentia”, “Blood & Treasure”) is show creator, and Kurtzman will share executive producer and showrunner duties with Noga Landau (“Nancy Drew”, “See”).
Incidentally, in a recent ST cover story, Variety revealed that Paramount is going all out on this project, building the largest single set ever created for a “Star Trek” TV show. The central set for the series, used for the Academy’s atrium, will use the entire 45,900 square foot soundstage at Pinewood Toronto.
“A sprawling, two-story structure that will include a mess hall, amphitheater, trees, catwalks, multiple classrooms and a striking view of the Golden Gate Bridge in a single, contiguous space.”
Sounds impressive! As long as the stories and characters are written well, too, I will remain cautiously optimistic.