DC’s New TV Series in 2019

A few members of Doom Patrol

DC Comics has managed to produce an impressive number of popular, live-action TV series based on their superhero properties in recent years. These include “Arrow”, “The Flash”, “Supergirl”, “Legends of Tomorrow”, “Gotham”, “iZombie”, “Black Lightning”, and the most recent hit, “Titans”. (I haven’t checked out that last one, yet, as of this writing.) The only one I know for sure that is planning to end in the near future is “Gotham”, which debuts its 5th and final season this January. Meanwhile, though, DC has a few more tentatively scheduled to debut in 2019, and those are what I wanted to briefly review this week.

I already mentioned the “Batwoman” and “Stargirl” series in my “Girl Power!, part 1 of 2” post a couple months ago. The former will be spun off from the recent ‘Elseworlds’ crossover event in Flash/Arrow/Supergirl. It will star Ruby Rose as Kate Kane, Bruce Wayne’s (very lesbian) cousin who takes over Wayne Enterprises in Wayne’s absence, while also protecting Gotham in the guise of ‘Batwoman’. I thought she did OK in her ‘Elseworlds’ appearance, but I certainly hope the new series forces Rose to expand her acting range beyond the stoic-tough-chick bit.

From the way the “Stargirl” series is developing, I wonder if it should be called “Stargirl and the Justice Society”. In addition to Brec Bassinger in the title role, the JSA is going to include Joel McHale (Starman), Henry Thomas (Doctor Mid-Nite), Lou Ferrigno Jr. (Hourman), et al. I like the JSA but was never a huge fan. But, I’m curious to see what they do with these characters. (A few more details and links re the “Batwoman” and “Stargirl” series can be found in the above-linked post.)

Another re-imagining, “Doom Patrol” is set to spin off in February, after a few of the characters guest-starred in an episode of “Titans”. This is a quirky group of misfits with weird powers and a lot of psychological baggage. Or, as the DC press release put it:

“The Doom Patrol’s members each suffered horrible accidents that gave them superhuman abilities — but also left them scarred and disfigured. Traumatized and downtrodden, the team found purpose through The Chief, who brought them together to investigate the weirdest phenomena in existence — and to protect Earth from what they find. Part support group, part Super Hero team, the Doom Patrol is a band of super-powered freaks who fight for a world that wants nothing to do with them.”

Sounds like fun! There is the danger, of course, of it getting quite campy/silly. But, with smart writing and decent performances, it could be a great series!

Notables that have signed on include Timothy Dalton (The Chief), Brendan Fraser (Robotman), Matt Bomer (Negative Man), and Alan Tudyk (Mr. Nobody). No surprise, the show is being executive produced by Greg Berlanti and Geoff Johns.

Swamp Thing

Speaking of weird, “Swamp Thing” is coming to our screens, as well:

“Based on the DC Comics characters created by Len Wein and Bernie Wrightson, the one-hour drama series would follow CDC researcher Abby Arcane, who returns to her childhood home of Houma, Louisiana, in order to investigate a deadly swamp-borne virus. She develops a surprising bond with scientist Alec Holland, only to have him tragically taken from her. But as powerful forces descend on Houma, intent on exploiting the swamp’s mysterious properties for their own purposes, Abby will discover that the swamp holds mystical secrets, and the potential love of her life may not be dead after all.”

The character first came to TV in a series (following two movies) starring Dick Durrock (1990-93). I never got into this character, either in print or on TV — just not my cup of bog water. But, it does look like it’s got some big names behind it. For example, Jennifer Beals, Ian Ziering, Virginia Madsen, and Will Patton will all have roles, with the monster himself being played by Derek Mears. Then there is Mark Verheiden as one of the writer / exec producers, and James Wan and his Atomic Monster Productions cohorts will also be producing. Len Wiseman will direct the pilot (and maybe more). Could be a decent series, so I’ll probably give it a look at some point.

Last but not least, we have CBS’s in-development “Secret Six” series. To be honest, I am unfamiliar with this team. But, from what I read, there have been a few incarnations in the comics, with members including second- and third-tier characters, as well as first-tier (e.g., Lex Luthor, Penguin, Bane). The one constant is that membership always consists of six diverse individuals, gathered and directed by the mysterious ‘Mockingbird’, who may or may not be one of the “field team”. As per the Variety article,

“The project, which has received a pilot production commitment at the network, follows six morally ambiguous strangers, each with their own unique specialties and secret pasts. They are brought together by an enigmatic figure who blackmails them into working as a team to expose the corruption of the corporate and political elite….

Rick Muirragui will write and executive produce, with Bill Lawrence and Jeff Ingold executive producing via Doozer Productions. Warner Bros. Television, where Doozer is under an overall deal, will produce.”

As far as I can tell, no actors have signed on, yet.

If I had to guess, I doubt they’ll have any of the first-tier characters in the line-up, but I could be wrong. Either way, I’m not sure how I feel about this project. The basic idea doesn’t thrill me, but I suppose it could be good if executed well. Muirragui has been writing/producing “Suits”, one of my favorite dramas, for years. If the writing is as sharp for “Secret Six” as it is for “Suits”, it could be a surprise hit!

And that brings us to the end… WAIT, no, there’s one more….

Metropolis by Kerem Gogus

“Metropolis” is being developed for a 2019 debut, too! Along with “Titans” and “Doom Patrol”, this makes three live-action series Warner Bros. is creating for the DC digital service. Not to be confused with SyFy’s “Krypton” series that already aired, this will be another Superman prequel.

“Metropolis will follow Lois Lane and Lex Luthor as they investigate the world of fringe science and expose the city’s dark and bizarre secrets…. [I]t promises to show us a wondrous and awe-inspiring City of Tomorrow, before the emergence of Superman, and establish much of the Man of Steel’s world leading up to his arrival.”

Still in the early stages, apparently, there are no actors attached, as yet. “Gotham”‘s John Stephens and Danny Cannon will also executive produce “Metropolis”, with Cannon directing the first episode from a teleplay by Stephens — story by both Cannon and Stephens.

“Metropolis will likely have a considerably different tone than Gotham. Superman’s villains are also more powerful, cosmic and rooted in science fiction than Batman’s, so one can only imagine there will be much less emphasis on street level gangsters and crime families in this forward-thinking city.”

Color me intrigued! This one, I’ll definitely be looking forward to….

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Review of Daredevil, Season 3

“Turn around and walk the other way….” — Daredevil

This one might be shorter than my typical reviews. For one thing, I didn’t take notes like I usually do when viewing the season, so I may forget a few notable things. For another, I’m a bit pressed for time — more than usual, that is — to get this one out the door, as it were. But, I’ll try to hit the major points….

SPOILER ALERT! SPOILER ALERT! SPOILER ALERT! SPOILER ALERT! SPOILER ALERT!

So, we finally got to see what happened to Matt Murdock following the events of “The Defenders”. It was both painful and fascinating to watch Matt reluctantly dig himself out of a pit of guilt, grief, self-pity, existential angst, etc. Even once he was physically (mostly) healed, he was still very much broken. Finally, he seemed to find a sense of responsibility and purpose again in bringing Fisk down, perhaps permanently. It was also a relief to see him reunited with Foggy and Karen — once they all worked through some “issues” over Matt’s behavior, that is.

Wilson Fisk was his old self, a psycho with a veneer of civility… most of the time… who quietly orchestrates and manipulates people into doing his bidding, whether they realize it or not. Speaking of which, I had a feeling things wouldn’t end well for Agent Nadeem, and sadly I was right. (It was a surprise to learn that he had been targeted by Fisk so early.) On the other hand, I knew Agent Poindexter was destined to become the assassin-for-hire, Bullseye. There were indications that Fisk was manipulating his life, too, but I admit I was surprised at how much. His journey was not what I expected but did end up being interesting. I hope the final scene indicates we’ll see more of him — perhaps more in character with the comics version? — next season. Kudos to the ironically-named Wilson Bethel for his portrayal of Benjamin ‘Dex’ Poindexter!

Incidentally, you may not realize it, but Dex’s posing as Daredevil was likely taken from a Daredevil storyline from back around 1990, in which Bullseye took over as Daredevil, while an amnesiac Matt suffered an identity crisis.

Back to our program…

It was a bit surprising that the FBI was so easily fooled by Fisk’s machinations, especially once he was in their custody. Of course, much of that turned out to be due to SAC Hattley’s having been coerced into working for Fisk, as were several agents under her command. As for Nadeem, I wouldn’t call him naive, exactly. But, I guess his need to excel (and, hopefully, get a pay raise to ease his debt issues) blinded him to any clues that Fisk was truly the one in control. In the end, he got sucked in, too, and paid the ultimate price.

I missed not seeing Claire Temple this season. She was also absent from Season 2 of “Iron Fist”. Too bad. But, I did like Joanne Whalley as the tough-love Sister Maggie, who served as Matt’s primary caregiver. She also wasn’t afraid to go toe-to-toe with him — verbally, that is — and give him advice, regardless of whether he was listening. (Note: Her involvement seems to have been pulled from the comics’ “Born Again” story.) I was wondering if they would reveal that she was his mother, and sure enough, they did. (I found it a bit sloppy on Maggie’s part, though, since I’m pretty sure she knew of Matt’s enhance hearing.) Matt was understandably hurt that neither Maggie nor Father Lantom had ever told him, but I thought he should have come to terms with it and forgiven them sooner.

Wilson Bethel as Agent Poindexter

Just a note about Vanessa. I always wondered if Fisk was treating her too delicately. I realize that she represents a very idealized image of purity, innocence, class, elegance, and of course love, to him. I can also understand why he wanted to keep the darker side of his business away from her. But, as we discovered this season, she not only wants to be involved, she can be just as ruthless as he is. (I wonder if she’ll ever get the gray streaks in her hair like in the comics.)

Despite the fact that the season took the normal 13 episodes, I didn’t feel it really dragged at any point. There were a couple episodes devoted to the personal histories of Karen and Dex, respectively. At the time, I admit I was itching for more action. But, I have to admit, fleshing out those characters did help move the overall story along, as we learned the secrets that they struggle with. I’m not sure about Bullseye, but those familiar with DD comics will remember that that version of Karen Page became addicted to heroin after she met Matt and later betrayed him to Kingpin in exchange for a fix.

A Daredevil review wouldn’t be complete without mentioning the fight scenes. Once again, “Daredevil” delivers. There’s just something about them: the brutality and desperation, mixed with a beautiful choreography. There were several fights, but the main four that stand out to me were in the prison, Bulletin, church, and penthouse. The first of these was all Matt, and he hadn’t even fully recuperated! Awesome! The next one was his first fight against Dex (who was never referred to as “Bullseye” in the series, btw), and thanks to the faux Daredevil’s surprisingly deadly ballistic skills, Matt barely made it out alive! The church fight was pretty good — and, of course, ended tragically for one character — but could have been better. (Note: Never turn your back on the bad guy, even if he’s just dropped 20+ feet. Duh!) The final fight involved both Dex and Fisk, with everyone fighting everyone (though Matt saved Vanessa from Dex more than once), and we finally saw Fisk really let loose. He’s really more of a street-brawler who relies on his size too much, but it was sufficient to mostly hold his own and even maim Dex — before Matt gave him a beatdown, that is. (Fisk’s face should have looked more battered and pulped!)

Miscellaneous:

1) Something I can’t put my finger on regarding Matt’s recovery. I can’t help but think that he never did quite get back into full fighting form. If he had been, I think those fights would have ended more decisively in his favor.

2) Great to see Fisk in his trademark white suit and being called “Kingpin” (at least, by the underworld bosses).

3) Do you realize that Matt never wore the DD costume this season?

4) Nice cameos by Rosalie Carbone (Annabella Sciorra) and Melvin Potter (Matt Gerald)!

5) Everyone needs a friend like Foggy.

Joanne Whalley as Sister Maggie

I have mentioned in a previous post or two how I would prefer the portrayal of Kingpin was closer to the comics version and without the particular inflections and idiosyncracies that D’Onofrio uses for the character. Still, he continues to do a great job with the character as written. In fact, all the main players delivered terrific performances!

I’d like to end by quoting John Orquiola’s summary at ScreenRant:

“Daredevil’s three heroes, Matt, Foggy, and Karen, spent the season using their respective abilities to fight back against Fisk: Matt through his fists as a vigilante, Karen by being a reporter and investigator, and Foggy via the law. Yet the Kingpin was several chess moves ahead of them the whole time; he masterfully outmaneuvered Nelson, Murdock, and Page until the very end. By telling one macro story involving their greatest villain, while also finally introducing Bullseye (Wilson Bethel), Daredevil delivered arguably their best season of all and possibly the best season of a Marvel Netflix series yet.”

I’m not sure if I’d call it the “best”, but perhaps equal to Season 1. All things considered, another “A-” rating for ol’ Hornhead.

P.S.  One of these days (or months), I’m gonna have to binge-watch all 3 seasons (plus “The Defenders”), just so I can more fully appreciate the journeys of these characters, the terrific acting, and of course those bonecrushing fight sequences.

P.P.S.  Well, I guess that was a full-length review, after all. It seems I had more so say than I thought….

Review of Iron Fist, Season 2

“Chance always looks like fate in the tail lights.” — Colleen Wing

I have to say, I didn’t think it would happen. As far as I could tell, the reviews from Season 1 of Netflix’s “Iron Fist” were uniformly bad. The star, the story, the fight scenes, et al., just about everything was disappointing. Yet, for whatever reasons, the powers-that-be decided to renew it for another season. Now that Season 2 has aired and I’ve had a chance to view it, I’ve got a few thoughts to share….

SPOILER ALERT! SPOILER ALERT! SPOILER ALERT! SPOILER ALERT! SPOILER ALERT!

Frankly, I didn’t want to see the Meachums or Davos again. I’d had enough of the Meachum family drama and Davos’ sulking in Season 1. I was hoping for someone new and exciting. But, once again the Netflix team decided to bring back the initial, surviving (pseudo-)villains for another go ’round. Of course, as the story picks up, everyone is dealing with the aftermath of the first season’s revelations and events. Joy and Davos have let their bitterness, jealousy, and frustration twist them, so that they are willing to put aside their differences and go to great lengths in order to get revenge on Danny Rand. Meanwhile, Ward is attending (though not participating in) N.A. meetings and trying… sorta… to be a better person. But, as his sponsor says, “You lead with @$$#0l3!”

Aside from the machinations of Joy and Davos, we have the threat of a nasty gang war, as the Triads vie for dominance following The Hand’s disappearance. It occurred to me that this seemed like a plot device borrowed from “Luke Cage”, where much the same happened over in Harlem. Another similarity was that one antagonist — Davos, in this case — is angry ‘cuz he feels like his birthright was stolen from him. Sounds a lot like the pain in Luke’s butt named ‘Bushmaster’.

I loved that Colleen Wing was such a big part of this story. Adding Misty Knight into the mix was like frosting on the cake. (These two ladies are lovely and bad@$$! Ahem…) I’ve mentioned before how much I’d like to see them spin off into their own “Daughters of the Dragon” or “Knightwing Restorations” series. So, Misty’s suggesting to Colleen about becoming an investigator — even though she was thinking “cop” — and then that talk near the end about “Knight… Wing… it’s got a little ring to it.” is all a very good sign.

Regarding Colleen “teaching” the injured Danny, I don’t get it. He lost strength and mobility in his leg; he didn’t lose his martial knowledge and skills. He’s supposed to be a better overall fighter than her, than just about anyone, anyway. What the heck is she supposed to teach him? Train with him? Sure. Teach him? Hmmm… Maybe the equivalent of a physical therapist forcing him to get back into shape, I suppose. Another thing I don’t get is why Danny and Colleen’s relationship was negatively affected by her training him or getting the Fist or… whatever. What did I miss?

Walker and Davos

The Mary/Walker character(s) was… interesting, but odd. While she was formidable, her fighting seemed somewhat brutish, lacking much style or grace. Maybe that’s because she was taught by the military, as opposed to in a “real” martial arts dojo or a mystical lost city like K’un-Lun? I dunno. Walker comes across as a bit “off”, certainly menacing, but not quite as skilled as one might think she’d be. I would not have picked Alice Eve for the part (though I’m not really that familiar with her work). Still, she did a decent job. Not as nutso as “Typhoid Mary” from the comics (though that version tangles with Daredevil, not Iron Fist), but there’s time for a psychotic break next season(?), I suppose. At least, Walker is now aware that she & Mary share headspace with a third, even more violent persona. Could be interesting, especially if she crosses over into the “Daredevil” series.

The new showrunner, Raven Metzner, appears to have recognized the pacing issues that other reviewers and I have spoken of re the Netflix/Marvel shows. This was mostly fixed with tighter writing, but shrinking the season from the usual 13 down to 10 episodes (as was also recommended) helped, too. Yay!

I have to admit, the Danny Rand character continues to improve. I first mentioned this in my review of Luke Cage’s second season (in which Danny cameoed), noting that he seemed a bit more mature and centered. This was the case for the first few episodes here, but then he wavered a bit as his issues both with Davos and with the Fist itself led him to giving it up. I didn’t care for the “addiction” angle, to be honest, but it did lend itself to a nice parallel (and empathy?) with Ward Meachum’s issues. Best of all, though, were the improvements in the fight scenes, especially Danny’s. I read somewhere that Finn Jones (who plays ‘Danny’) started training — martial arts, weights, yoga — 5 months before the season even began production. He and Jessica Henwick (who plays ‘Colleen’) were in great shape and did most of their own stunts, and it shows. Plus, the producers hired a new fight choreographer, Clayton Barber (fresh off of Black Panther), which led to marked improvements in the fight scenes over those in Season 1. Still not up to the level I would expect for the Iron Fist, but getting there.

Storywise, it seemed odd to me that the power of the Iron Fist — normally only given to the winner of a ritual combat, followed by confrontation with an immortal dragon — could be stolen/transferred the way that it was from Danny to Davos, and then from Davos to Colleen. I’m also somewhat unsure how I feel about Colleen now being the Immoral Iron Fist. Not that there is anyone more worthy. I suppose one could point out that the series is titled “Iron Fist”, not “Danny Rand”. Apparently, this change also gave Danny an opportunity to learn some new stuff during his travels in Asia with Ward. But, I trust that next season will at some point have Danny regaining the title — though, hopefully less painfully for both Colleen and him. (Note: She does look pretty cool with the white Fist, and the glowing katana, too.)

Speaking of Danny’s quest to discover the secret history of the Iron Fist, I noticed that the identity of the person whose remains Davos had shipped was “Orson Randall”. In the comics, this was the wielder of the Iron Fist prior to Danny. They met and had some adventures in the Immortal Iron Fist comic series, most of which I read in trade paperback. Randall is already dead in the Netflix/Marvel universe, but it could be interesting if the writers incorporate other aspects of that story into the show — e.g., other Lost Cities and their own defenders.

Misty and Colleen

Beyond the other positive aspects I’ve mentioned, the character development this season was impressive. I may not have wanted to see Davos or the Meachums again, but I have to give props to the actors and writers alike. In fact, episode 6 stood out to me as having some of the best dialogs between Colleen and Misty and between Ward and Joy, though there were more in the last couple episodes. (The bits with the guy leading Davos around the city from target to target were “fun”, too.) As for Davos, on the one hand, I don’t find him physically imposing at all, being on the short side (though perhaps slightly more muscular than Danny). On the other hand, his unpredictability, simmering anger, thirst for vengeance, and impressive fighting skills did make him a force to be reckoned with. As with Finn Jones, I would probably not have cast this actor (Sacha Dhawan), but he has brought this very driven, self-righteous character to life as written.

On a brief note, I appreciated the additional nods to the design and colors of the classic Iron Fist costume in the flashbacks and in the remains of the costume in the coffin. I have a feeling we’re never going to see Danny Rand in that costume, per se, but perhaps we’ll get a modified version. Someday…

Overall, I agree with the consensus that Season 2 of “Iron Fist” was a huge improvement over Season 1. In fact, whereas I gave that first season a grade of ‘C-‘ (at best), I’d give this season a ‘B-‘ … maybe even a ‘B’. This puts it, imho, just behind “Jessica Jones” and “Luke Cage”. (DD is still the one to beat.) 🙂

Review of Luke Cage, Season 2

“Look… We can take Door Number 1, 2, or 3. Guess what? All the prizes suck!” — Luke Cage

Continuing my tradition of reviewing every season of the Marvel/Netflix shows, I present my observations re season 2 of everybody’s favorite bulletproof brutha from Harlem, “Luke Cage”. (See review of season 1 here.) But, before I go any further, I must lay down the requisite…

SPOILER ALERT! SPOILER ALERT! SPOILER ALERT! SPOILER ALERT! SPOILER ALERT!

It was great to see Claire and Misty and Bobby again; not so much Mariah and Shades. More on that later. First, though, a few words about the primary newcomers: Bushmaster and Nightshade.

Not surprisingly, this version of John ‘Bushmaster’ McIver varies quite a bit from that in the comics. The comics version was indeed a muscular Black man from the Caribbean (though St. Croix, not Jamaica), but he wore a white and gold costume. He was a Maggia-connected crime boss whose main foe was Iron Fist and whose primary obsession was Misty Knight. He even hired Luke Cage to kidnap Misty. His strength and durability came from forcing Dr. Noah Burstein to replicate the process he used to transform Cage (aka Carl Lucas) back at Seagate Prison. No martial arts, no addiction to some nightshade concoction, and no connection to or grudge against the Stokes family.

I can see why the writers/producers changed several aspects to fit into the Netflix series story, but it still annoys me. The character (ably played by Mustafa Shakir) was better than season 1’s ‘Diamondback’, and at least as complex as ‘Cottonmouth’ had been. Still, I’m not sure I want him to return. (Plus, the Patois he and his Jamaican cronies (and family) spoke was a pain to try to follow, though I have to admit I got better at it as time went along.) His was a tale of vengeance, grounded in an inter-family feud fueled by murder & betrayal a generation ago. But, he seemed inconsistent in both his rationale and his brutality. I felt little sympathy for him, only for those who suffered because of their nearness to him.

While Tilda Johnson was never actually called ‘Nightshade’ on the show, the comic version is. That ‘Nightshade’ was a Harlem-bred sista with a penchant for revealing, black leather outfits. (That is, until she took over the name and full-body costume of ‘Nighthawk’.) Rather than a doctor with an affinity for “natural remedies”, the comics’ Johnson was a brilliant young student who used her extensive knowledge of genetics, cybernetics, and physics to build her criminal career. She apprenticed under Yellow Claw (who gave her the costumed identity of ‘Deadly Nightshade’), fought the likes of Captain America and SHIELD, escaped from prison and built a small criminal empire, only to be brought down by… Power Man and Iron Fist. At one point, she joined Misty Knight’s Crew of villains hired to fight other villains. Later, the vigilante Nighthawk saved her life, and she turned over a new leaf, becoming his partner/weaponeer/mission control.

Shakir and Dennis

Obviously, the comics version has quite a different look, vibe, and history than we see on “Luke Cage”. She develops connections of a sort to Luke and Misty on the show, of course, but they are very different. The connection to the Stokes family and legacy is totally new. So far, the TV version hasn’t done anything illegal, either, except maybe that one time she helped Bushmaster attack the nightclub. (Patty Hearst Syndrome?) The actress (Gabrielle Dennis) is certainly easy on the eyes, but I’m not sure how I feel about this version of ‘Nightshade’ or whether I want her to return.

Now, on to the rest of the show…

It was a pretty good plot, all things considered, and it really accomplished a lot. However, I feel I should at least mention the matter of pacing. As discussed in a previous post, even the best of these Netflix/Marvel series could benefit from slightly tighter pacing, and this was no exception. I can’t remember specifics anymore, but at a few points, things just seemed to drag a bit. I’m not quite sure how to fix this.

I do know that I would love to see more (super)heroics — fights, surveillance, rescues — by our heroes, especially Cage. What we did get to see was great when it involved the henchman and other normal folk. When it came to Cage’s fights with Bushmaster, though, Cage looked pretty stupid. It wasn’t until their final showdown that he seemed to have learned anything. Or, maybe he was just more focused?

Luke has always relied on his size and his fists, and the experiment gave him enhanced strength and a bulletproof hide. (Now, apparently, even the Judas-rounds aren’t lethal, either.) Most of the time, he can just plow through the punks and gangsters that come after him. But, after his encounters with Diamondback last season and Bushmaster this season, I hope he finally realizes that he needs to fight smarter. I don’t expect him to become a student of the martial arts, but I’m hoping Danny and/or Colleen can give him a pointer or two. Speaking of…

Despite my disappointment with the Iron Fist series and character, I actually didn’t mind that Danny Rand showed up here. He and Luke had some good scenes, especially the warehouse fight. He finally chopped some of the curls, which I thought gave him a more masculine look. He also seemed slightly less odd, more mature, more sure of himself. Still kind of annoying with the constant “be still” and chi stuff. But, I understand that he was trying to help Luke get “centered”, so he could be more at peace and more effective.

Shades and Mariah

I gotta say, both the writing and acting was particularly good. And the characters were not two-dimensional, either. As the story moved along, we learned that the main characters and their stories were much more complex than expected. Even Mariah and Shades (though I still dislike them). In fact, some of the best acting was a) in the argument between Luke and Claire (ep.4?), b) the dialogues between Shades and Comanche (ep.6), c) some of Misty’s stuff (both working the case and dealing w/ her injury), d) the bits between Luke (aka Carl) and his father (played by the late, lamented Reg E. Cathey), and even some of those scenes between Mariah and Shades and between Mariah and Tilda. Powerful stuff!

Regarding ‘Black Mariah’ herself, here’s a nice summary by Kim Taylor-Foster at “Fandom”:

“One of the most interesting things about Mariah Dillard is her ability to manipulate. And not only the people around her, but the audience too. On numerous occasions, we feel for her. Her crocodile tears work on us, and every time we fall for it. She’s not so bad, we think. Circumstances have made her like this; there’s some good inside; she’s misunderstood; she’s coming around – but every time she reveals she’s the unfeeling, selfish “monster” her daughter describes her as.”

Yep. Mariah had an interesting journey into darkness in these two seasons of “Luke Cage”, and I, for one, am happy that she finally met her gruesome end. (I actually anticipated how it was gonna happen, too.)

As in season 1, I wasn’t sure what to think of the Shades character, and I’m not sure how much of that is due to the writing and how much due to the acting. Regardless, I was actually a bit surprised that Shades finally said “enough is enough” to Mariah — even more so that he gave a full confession to the cops and helped to put her away! Despite the horrible things we have seen him do, we discovered that he has self-imposed limits, parameters within which he operates. As Mariah got increasingly brutal and involved in things she never could have imagined just last season (prior to killing her cousin, anyway), Shades found himself stretching his own limits, and not in a good way. I can respect his final decision, even if it was long overdue and there was, of course, a strong element of self-interest and self-preservation.

Misty Knight’s journey was entirely different but at least as interesting. The combination of dealing with her injury (followed by getting the prosthetic arm), trying to figure out her place in (or outside of) the police department, and then the specifics of the case(s) she was working on — made the more difficult by Cage, Det. Tyler, and even the late Det. Scarfe — all made for a physically and emotionally exhausting few days, I’m sure. While I’m happy that Misty’s value was recognized by the top brass who offered her the Captain’s position at the end, I’d rather see her move toward becoming a private investigator and teaming up with Colleen Wing, like in the comics. But, hey, at least she now has her bionic arm!

Misty and Luke kickin’ butt

As for our hero, Luke Cage, the dude has been put through the physical and emotional wringer yet again and, I think, has come out all the stronger for it. The character really is developing into a true hero, even as he stumbles through everything life throws at him. He’s often reluctant (especially at the beginning) and often makes mistakes. But, with the help and advice of family & friends (whether solicited or not), he pushes through and gets the job done. I would’ve liked if Claire had stuck around for more episodes, but I understand why she had to go, both character-wise and plot-wise. I’m sure it helped Cage to know that at least she was out of the line of fire, so to speak. After the various dominoes (and players) fell, someone was going to fill the power vacuum. Cage decided that he was the logical choice to save his home from the various criminal organizations, so he “stepped up”. I like it, though I also understand Misty’s reservations. It remains to be seen just how “dirty” he will get in his efforts to protect Harlem. But, we’ll probably have to wait until Season 3 for that.

After we were introduced last season to the reason for Cage’s estrangement from his father, Rev. James Lucas, I didn’t think the writers would pursue it any further. I was wrong. At first, I thought it was an unnecessary complication to season 2’s plot and, of course, Cage’s life. I also didn’t think I would like the Rev character. But, when I realized that he was genuinely penitent for his past marital infidelity and his treatment of Cage (er, Carl), I wanted them to make peace. And, lo and behold, they did! With Cathey’s subsequent passing, it’s a shame they won’t be able to follow up on this reconciliation.

As with the first season, intertwined in the plot was some “social commentary” — i.e., re racism, oppression, the struggle for minorities (especially Blacks) to “make it” in America, police corruption, etc. Also, as I said before, “If the ‘commentary’ had been more heavy-handed, it might have annoyed me; but, it did sound/feel authentic to me.” I will also note the constant use of the N-word. Unfortunately, that is probably also authentic. It was a bit jarring to me at first, but then I realized that this series is essentially a 13-hour, ‘R’-rated movie. So, nasty words and profanity is to be expected. In retrospect, I’m a bit surprised (and pleased) that other “harsh language” was not more common. Only one “love scene”, too, as I recall.

A few random comments:

o Is it just me, or did Cage’s hoodie in the first fight not get any bullet holes? All the others did.
o The ‘Night Nurse’ song was kinda stupid.
o If Hollywood ever needs someone to portray Rep. Maxine Waters (D-CA), Alfre Woodard would be perfect!
o Nice cameo by Colleen Wing! Both the scene in the dojo ring and the one in the bar were appreciated, as we got to see Misty come to terms with her injury & situation. Plus, we got a great fight scene!
o Misty sure adapted to her prosthetic arm in a hurry! Ya gotta love comic-book science….
o Did you catch the Stan Lee “cameo”?

I would like to think that this season was also the end of the Stokes/Dillard arc. I would really like to see someone/something totally different for Luke to battle in the presumed third season. But, given the way things were left, I’m guessing we will see Tilda/Nightshade return to “get what’s hers” (i.e., the nightclub) — possibly with Bushmaster’s help, possibly in competition with Bushmaster. I hope we’ll see more of Annabella Sciorra’s Italian mob-queen character, Rosalie Carbone. (If so, will Punisher show up? They have a history…)

Final score: I gave season 1 of “Luke Cage” a B/B+. Season 2 rates a little higher, I think — say, a B+, bordering on A-.

Y or Y Not

“Nnnooooooooooooooooooooooooo!!!!” — me

It seems that an adaptation of Brian K. Vaughan’s popular, critically-acclaimed, dystopian comic book series, Y: The Last Man (DC/Vertigo), has been in development at FX for some time, and I had no idea. How could that happen?!

Originally (2007), New Line bought the rights and had names like David Goyer and D.J. Caruso attached. Caruso wanted to do a three-film saga (which might’ve worked, imho), but he left the project when New Line insisted on a single film. (Bad idea!) They tried again with another group of names, but that fell through when the rights eventually reverted back to Vaughan in 2014, who didn’t like the direction they were taking. When the FX deal was announced in 2015, they had lined up Color Force’s Nina Jacobson and Brad Simpson to co-adapt/write with Vaughan. (Vaughan had previously worked on “Lost” and “Under the Dome”.)

“All of the men are dead. But one. Y traverses a world of women — exploring gender, race, class and survival.” — FX’s formal description for the series

Now, they’ve got a showrunner (Michael Green), a newly-signed co-showrunner (Aida Mashaka Croal), a director (Melina Matsoukas), and a fresh, new pilot order. Green, Croal, Matsoukas, Jacobson, Simpson, and Vaughan will all be executive producers.

I quite enjoyed the Y: The Last Man comic series, lo, those many years ago. The premise was intriguing, the title character (semi-pro escape artist Yorick Brown) was a lovable goof, and his little, rascally Capuchin buddy (Ampersand) was cute & funny, too. (Note: It is for “mature audiences”, so a few scenes/elements were a bit uncomfortable for me.) It also had decent storylines and supporting characters, and Pia Guerra’s art was terrific — a perfect fit. Terrific, creative cover art, too. So, when I started to read about this live-action version being made for the small screen, my first thought was an enthusiastic, “Cool!”. But, then I remembered “Runaways”….

“Runaways”, if you don’t remember, is another comic series Vaughan created and wrote a few years ago (but for Marvel). It was recently adapted for the small screen and aired on Hulu. I’m just about finished watching the 10-episode run, but I practically have to force myself. If it was an original series, it would be fine. But, I know the source material (having recently re-read the original 18-issue story arc), and the TV series is such a disappointment. I can understand a few minor tweaks, but there are so many alterations to characters — 2 or 3 missing, others new; others with different ages, physical appearances, “origins”, and/or personality changes –, and the plot is barely recognizable beyond the most basic elements. I keep asking myself how Vaughan could let his creation be so… mangled. But, then I came across this statement:

“These changes are fully supported by Vaughan, who serves as a consultant on the TV series…. [Also,]

‘It was important to me that we do something where people can’t go online and read how this ends or what’s going to happen next.'”

I can certainly understand that concern, but I think they went way too far with the changes on “Runaways”. With that in mind, I kept reading about the “Y: The Last Man” adaptation. Unfortunately, it only got worse, based on Vaughan’s Nov. 2017 interview with The Hollywood Reporter:

“I wanted to find someone who loved the source material, but didn’t feel so indebted to it that they would be afraid to change it. When [Michael Green] first pitched his take on it to Nina Jacobson, our producer, and me a long time ago, he came in saying he wanted to do something about toxic masculinity. It felt very relevant, and unfortunately I think it’s only become more relevant with each passing day. His take on it was really brave and very different, but exciting as well. I really admire how audacious he’s been with his translation.”

Michael Green at Comic Con

Groan! And, of course (<eyeroll>), it’s Trump’s fault, as Green explained to THR last July:

“It would have been a very different show, and very different development process, had the election not been as horrifying as it was. I had to put the script down for a couple months and really reassess it tonally, because it became a different creature, it became violent protest. It couldn’t not be political, and I had to embrace it, and I had to find my way in, and I had to find a way to channel my own dismay, disappointment and rage into it, while still keeping it what it is. For a minute there I almost walked away.”

“It couldn’t not be political….” Criminy dutch! What a way to ruin a cool idea by feeding into this hysterical, politically-correct, “toxic masculinity” crap! (Can you tell I’m a bit worked up over this?) Fans like me don’t want Green’s “dismay, disappointment and rage” over a political election. We don’t want “very different” and “audacious”, either. We want to see the source material realized with its original tone. That’s what we loved on the page; that’s what we want on the screen. But, Leftist Hollywood rarely gets that, or cares.

At least there was one thing I can get behind regarding Green’s take on it, and it’s something I think my fellow “Babylon 5” fans can appreciate, too….

“‘Whether it is 60, 70 or 80 episodes, I’m gonna pick a number, and I’m gonna stick to it. And I’m gonna write to it. There’s so many brilliant things in that comic, the two biggest are the premise, and the ending.’ He believes Vaughan’s writing ‘toward an ending that he knew’ made the series more ‘meaningful.’ He calls the set length of the series a ‘pact’ with the audience, adding, ‘It will help them to know that we’re ticking down.'”

Obviously, you can do a “last man on Earth” story without resorting to making it a feminist screed. It has been done before. There may even have been a few anti-male jabs in the comic series, but it wasn’t enough to ruin it for me, especially if they were for light comedic effect. So, this “violent protest” of Green’s — with FX’s and Vaughan’s apparent support — has me worried and quite irked, to say the least. I may watch the pilot out of curiosity, but I’m not sure I’ll be able to stomach it for long, if that’s the tone and direction Green’s gonna twist Y into. Sheesh!

Review of Jessica Jones, Season 2

“It took someone coming back from the dead to realize that I’ve been dead, too. The problem is, I never really figured out how to live.” — Jessica Jones

As I watch a series that I know I’m going to be reviewing here, I try to notice things and jot down observations and ideas as I go. When I started watching the second season of “Jessica Jones”, I had a few thoughts, of course, but I couldn’t get into it. It was just more of surly, drunk Jessica treating herself and her friends, family, and associates badly. (I don’t find Krysten Ritter particularly attractive, either, so there wasn’t even that very shallow aspect to enjoy.) Some of those supporting characters were doing mean or stupid things, too. To be honest, I wasn’t sure I wanted to write this review, but I felt sort of obligated.

SPOILERS! SPOILERS! SPOILERS! SPOILERS! SPOILERS! SPOILERS! SPOILERS! SPOILERS!

Then, I started to notice something else. I began to see the parallels between the individual characters’ stories, and I appreciated more what the writers were doing. Yeah, OK, maybe it was obvious to you. But, sometimes I get so wrapped up in other stuff that the finer points — or, perhaps it’s the “big picture”? — get past me.

Trish/Patsy: On the one hand, Trish is so wrapped up in her career, that she’s willing to throw away a relationship with a genuinely good guy. On the other hand, she’s so obsessed with somehow obtaining superhuman abilities of her own, ostensibly so she can be a champion for the people, that she ends up throwing away her career and putting her own health and safety — her life, really — at risk. Along the way, she lies to and manipulates her friends and family, alienates fans, and threatens to destroy someone else’s career (though that guy sorta deserved it). And don’t get me started on her overbearing mother….

Malcolm: This poor guy can’t seem to catch a break. His boss (Jessica) verbally abuses him and constantly takes him for granted. The woman he has a crush on (Trish) finally pays attention, even sleeps with him, but it turns out she’s just using him for her own, selfish reasons. He gets the crap beat out of him, and Trish almost gets him — a recovering addict — hooked on something new and dangerous. His loyalty is constantly being tested. Like they say, with friends like these…. One of the ways he “copes” is by engaging in a few one-night stands — looking for affection or approbation, I suppose. In the end, at least, he starts making some hard choices and gaining some independence.

Jeri: I can see why they replaced frumpy, hetero, male Jeryn Hogarth with an attractive, lesbian version. Much more “exciting”, and it gets the LGBT vote. But, this gal does not have it all together. Her former employee/girlfriend is suing her, and her law partners are trying to kick her out of her own firm. Then she’s diagnosed with ALS. What does she do? Parties with ladies of the night, gets dirt on her partners in order to blackmail them, and sleeps with the homeless girl (and protected witness, of sorts) that she’d given sanctuary in her home. The normally sharp Ms. Hogarth allows herself to be conned into thinking she’d been healed, then her home is burglarized by those she trusted. Ouch!

Janet McTeer as Alisa Jones

Alisa: The character of Jessica’s previously-thought-deceased mother, played by Oscar-nominee Janet McTeer, is introduced. Happy reunion? Not exactly. Turns out, Alisa is the superpowered individual who has been hunting & killing people in Jessica’s orbit. The experiments that gave her the powers (like Jessica’a) also gave her a hair-trigger temper, so she’s got serious “anger management” issues that put those around her in danger. Thus, the faked death and her isolation — with the mad doctor responsible, who she’s fallen in love with — for 17(?) years. Once she finally meets her daughter, they clash both physically and ethically. Will she survive on the run (with or without Jessica), or go to prison for the rest of her life, or is she destined to be killed by law enforcement?

Jessica: As previously mentioned, our protagonist still struggles with many issues, mostly derived from childhood trauma and psychic (and perhaps physical) rape/torture by Killgrave, which she “deals with” by constantly drinking, acting like a jerk, and occasionally banging a random stranger. (Of course, with her enhanced constitution, it takes 3x the usual amount for her to get buzzed, let alone drunk.) Another big factor is the fact that she killed Killgrave (last season), and it is eating at her, such that she wonders if that makes her a “murderer”. Her P.I. business is barely surviving, and now a larger firm is attempting to eliminate the competition one way or the other. Her landlord wants to evict her, and the new super is more than happy to help — at least, at first. Her friends (i.e., Trish and Malcolm) are always “nagging” her. And, then, her murderous mother (who is even stronger than Jessica) enters her life, and Jessica is torn about whether or not to assist the cops in bringing Alisa in versus letting Alisa (and the doc?) escape versus going on the run with her herself. Meanwhile, she has to constantly (try to) keep dear ol’ mom from ripping limbs off of people who she feels threatened by or beating them to death. Oh, plus, she then finds herself (somehow) in a relationship with the formerly hostile new super, which adds unwelcome wrinkles to whatever plan she adopts for the future. Sheesh! Given all of this, I guess I do feel badly for our reluctant hero. She has good reasons to feel angry, frustrated, and to put up those defensive “walls”.

So,… all of the primary characters are dealing with some pretty heavy issues — identity crises, varying types of abuse, perceived betrayal, uncertain futures, etc. –, both personal and business-related. In response, they abuse various substances, have frivolous sexual encounters, do some other rather selfish things, even commit crimes. I’m guessing they all know what the right thing to do is, but it’s a struggle, and they all screw up on several occasions. If they were my friends, I’d be rather disappointed in them, even while trying to be sympathetic regarding their respective “issues”. I have to admit, though, it all sadly has a pretty realistic feel to it. And realism, after all, is a hallmark of these Netflix shows. (Except for, you know… the superpowers stuff.)

On another, related matter…

Personally, I thought the “love scenes” — which there were more of, this time around — were a bit gratuitous. I mean, yes, they made sense within each character’s journey and how they were dealing with stuff. But, we don’t need to see/hear, for example, Jessica getting humped in a bar restroom or Jeri getting high (and making out) with lesbian/bisexual hookers to get the idea. There are less in-your-face, more PG-rated ways of letting an audience know what’s going on (or about to, or just did). Call me old-fashioned, but I prefer more restraint and self-censorship. I guess the assumption is that if they’re doing ‘R’-rated violence, they “have” to do ‘R’- (or, at least, PG-13-) rated sexuality? However, I do appreciate that there wasn’t much, if any, nudity — although, I may have missed something when fast-forwarding past those scenes.

Despite this, I liked Season 2 better than the first one. As terrific as David Tennant’s portrayal of Killgrave was in Season 1, the subject matter was not to my liking. Of course, the theme of “abuse and how to deal with it (or not)” has become central to the series. But, this season felt a bit more… comfortable(?), I guess. I dunno. I also liked the hopeful note that the finale left on for some of our main characters: Mal’s new job, Trish’s recovery (and then some), Jessica’s settling into her new relationship with Oscar. (I suspect, though, either she’ll screw it up in Season 3 or something bad will happen to him. Shame, too, ‘cuz I like Oscar. And his kid.)

Overall, I give Season 2 of “Jessica Jones” a solid ‘B’, maybe ‘B+’.

Inhumans Mini-Review and Fan-Cast

Yep, I did it! I watched the “Inhumans” mini-series.

I have to say, it didn’t suck as badly as I’d expected, based on some comments I’d read. But, it was very disappointing. As mentioned in an earlier post, I’ve liked the Inhumans, especially the Royal Family, since their early appearances in the Fantastic Four comics. So, although I realize they might not be the easiest to adapt to live-action, what with the supersized dog and the leader/king who can’t speak (without destroying stuff, that is), I was still hoping for a decent show. So much for that idea…

SPOILERS! SPOILERS! SPOILERS! SPOILERS! SPOILERS! SPOILERS! SPOILERS! SPOILERS!

Now, there were positive points. For example, I thought Lockjaw looked great, and his teleportation effect was cool, too. Other visual F/X were good, and they got the general color schemes for the characters right. Triton was surprisingly bad@$$. (I don’t remember him being so deadly in the comics, but then I haven’t read any Inhumans stories in several years.) What else? Um,… the girls were cute, and, uh,… I’m sure there was something else I liked….

One annoying thing I noted early on was when otherwise-intelligent people kept doing stupid things or *not* doing sensible things. For example, I realize that Black Bolt’s sign language would not have been understood by Americans, but why didn’t he at least try to communicate with the police? He (and his family) obviously knew a lot about some Earth things, including how to read/speak/understand English. Couldn’t he have written stuff down? Also, how did he not realize that stealing would bring attention from law-enforcement? Then there’s Medusa, who didn’t think to take Auran’s comm unit. Also, since she must have known of Auran’s incredible healing ability, why didn’t she make sure Auran was dead after their battle, or at least shackle or tie her up?

There were inconsistencies, too, like Gorgon’s boots being shaped like hoofs (as they should be), and then later just looking like normal boots.

The writing and acting was generally bad or lackluster. I’ve seen some of the actors before, and they didn’t suck then. So,… do we blame the director? Black Bolt in particular was odd. For one thing, I kept thinking I was watching Jim Caviezel, ‘cuz Anson Mount looks so much like him. Something about the set of the jaw and the eyes, I think. But, while Mount was forced to do much of his acting via his eyes, I’m afraid it just didn’t work. His range of expression seemed to be stuck between alarmed, frustrated, and just plain bewildered. (I don’t remember his performances in anything else, so I can’t say if he has displayed much more depth or range.)

And Maximus? I was really looking forward to a raving madman. After all, they don’t call him “Maximus the Mad” for nothing. But, what we got was a better-behaved Ramsay Bolton who just wanted to be one of the cool kids. Sigh!

Another disappointing thing was the limited displays of Medusa’s and Karnak’s powers. I think I read a critique somewhere that said her prehensile hair wasn’t a good effect, but I thought it was decent. In my opinion, shaving her hair off in the beginning, while a dramatic plot point (and true to a comic storyline, I think), was a bad move. We fans want to see Medusa (and her hair) in action! (Also, Serinda Swan looks <much> better with hair.) As for Karnak, they made a point of injuring him to reduce his amazing analytical abilities, which then gave him a crisis of confidence. Related to this was his limited fighting. Was this intentionally done, because Ken Leung has little-to-no martial arts ability? Again, I wanted to see Karnak the Shatterer kick butt! He had a couple OK scenes (though one took place mostly in the dark) — and it was kinda cool the way they showed him calculating trajectories and probabilities and such — but he could/should have been <so> much better. (Props for giving him the facial tats, but why no enlarged cranium?) Wish we had seen more of Triton, too. He must’ve been reveling in having all that water to swim in! And we didn’t get to see Black Bolt fly, either, dangit!

In the end, I suppose I would have chosen a different story that allowed everyone to better showcase their powers.

Alright, I’ve said enough about that. Now, I’d like to present my choices for if I were to cast the Inhumans Royal Family. I won’t get into Inhumans history or powers/abilities or (for the most part) the actors’ resumes, this time. Let me say up front that, as usual, I tried to stick to the general height (within reason) and build of the characters as seen in the comics. Also, I think Black Bolt is one of the oldest of the royal siblings & cousins, so I put him at mid-30s to 40. Crystal would be the youngest at early- to mid-20s. Everyone else should probably be late-20s to late-30s.

Philip Winchester

Nicole Steinwedell

I considered both Ryan McPartlin (6’4.5″,b.1975) and Eric Dane (6’1″,b.1972) for Black Bolt, but they’re both a little older than I preferred, and McPartlin’s a little too tall. So, I went back to someone I’ve recommended for other square-jawed hero roles: Philip Winchester (6’1″,b.1981). For Medusa, I wanted someone who could play both regal and compassionate queen, preferably redhead (though that’s going to be CGI, anyway), and (here’s the toughest part) tall. Either Eva Green (5’6″,b.1980) or Emily Beecham (5’5.25″,b.1984) would be great, except Marvel’s wiki puts Medusa at 5’11”. It is really tough to find good actresses in that height range. But,… though she is usually blonde, I think Nicole Steinwedell (5’11”,b.1981) fits the bill! (I even found a pic of her in a purple/violet dress!)

Roman Reigns

Nicholas Tse

The warrior Gorgon is tall (6’7″) and muscular, so I thought a wrestler might be a good choice. In fact, it didn’t take me long to realize that Joe Anoa’i (aka Roman Reigns) (6’3.25″,b.1985) is practically perfect. I mean, look at this guy! Put him in hoof-boots, and he might even reach 6’7″. Karnak, on the other hand, is a foot shorter and slimmer (though still muscular). It has never been clear to me if he is supposed to be Asian-looking. (Sometimes, he even looks French to me, for some reason.) But, that’s the way the series went with the character, and I agree. Jet Li (5’6.25″,b.1963) might’ve been a fair choice, but he’s too old and still has a thick accent. So, my vote is for Nicholas Tse (5’9″,b.1980), who is an actor & martial artist who happened to go bald for a recent part (see pic).

Andy On

Saoirse Ronan

Medusa’s baby sister, Crystal, is a pretty strawberry-blonde who clocks in at 5’6″. I decided to go with the talented Saoirse Ronan (5’6″,b.1994), known for her work in Atonement, The Lovely Bones, Hanna, all before she turned 17. She could certainly play young Crystal with some depth. (Coincidentally, in recent years Crystal was married to (and subsequently separated from) Ronan the Accuser, the Kree warrior/judge.) As for Karnak’s older brother, the water-breathing Triton, I opted for another martial artist/actor: Andy On (5’11”,b.1977). (I would’ve considered him for Karnak, but he’s too tall.) He is a little older than I’d like for the role, but he has the right build, and I think he can easily pass for 30-something.

 

 

 

 

 

Finally, we have Black Bolt’s younger brother and intermittent enemy, the evil and treacherous Maximus. I saw someone else fan-cast Joaquin Phoenix (5’8″,b.1974), who coincidentally played ‘Commodus’ to Russell Crowe’s ‘Maximus’ in Gladiator. While a little older and shorter than preferred, I agree that he could’ve been a great Maximus the Mad. While Maximus has had a number of different looks (i.e., costume, armor, hair, build), it was a more recent version (rightmost pic above) that made me think of Dominic Rains (6′,b.1982). If Rains looks familiar, it is because — and here’s another one of those interesting connections — he has been playing the evil (insane?) Kree overlord/station-commander, Kasius, on the current season of “Marvel’s Agents of S.H.I.E.L.D.”, who creates Inhumans for his own entertainment and profit. Perfect, no?

Rains as Kasius

Dominic Rains

 

 

 

 

 

 

Now that is an Inhumans movie/series I would love to see!

This concludes our review/fan-cast combo for the Inhumans Royal Family. Hope ya liked it! Don’t be afraid to leave a relevant comment below….

Review of The Defenders (Netflix)

“It’s been a long week.” — Jessica Jones, “The Defenders”

The much(?)-anticipated “The Defenders” mini-series has finally been released, capping off the first four Marvel/Netflix series. I finished watching it a few days ago, so I have a few thoughts to share….

You probably figured I’d put out some sort of review, right? Regular readers already know how I feel about the actors and these versions of the characters from my earlier reviews, so I won’t say too much on that front. (Too many to link to here; just do a search on “Netflix” or go to the Reviews page linked above.) I assume most people who are interested in the show have already watched it, but I’m adding a Spoiler Alert, anyway.

SPOILER ALERT!! SPOILER ALERT!! SPOILER ALERT!! SPOILER ALERT!! SPOILER ALERT!!

Let’s start with… I liked the opening/closing credits music. It reminded me of a cross between those for Daredevil and Iron Fist.

I also really appreciated the getting-to-know-each-other scene at the Chinese restaurant, after our heroes survived their first team-up. It was reminiscent — probably intentionally so — of the shawarma shop scene at the end of Avengers.

Our heroes all remained very much in character. Luke Cage and Jessica Jones did their usual strong-guy/gal thing, smashing, slamming, punching, and kicking the crap out of The Hand’s lackeys. Nothin’ pretty. Luke also got to play “human shield” on occasion. (I think he actually enjoys it, despite the costs to his wardrobe.) Once he was on board, Matt Murdock / Daredevil re-confirmed that he’s the best fighter of all of them, in my opinion. However, he also takes some chances — specifically, re Elektra — that put himself and others in danger. Of course, the writers can make even foolish decisions turn out to be the “right” ones in the end.

Each of these three, at some point along the way, had their doubts about taking on The Hand, preferring to stay out of the “war” or just not ready to go “all the way”. But, they realized the threat that The Hand represented to the people of New York (and likely beyond), and they stepped up. They knew they might not survive, but they were the city’s only real chance. That’s what makes them heroes.

I would really love to see Daredevil pair up with Cage. That could be an awesome partnership. (Cage and Rand, not so much.)

Not surprisingly, I thought Danny Rand / Iron Fist was quite disappointing. Without the chi-powered fist, his fighting skills are still mediocre — clumsy-looking, even. Good thing The Hand seems to only have mediocre-level soldiers, rather than the ninja-assassins from the comics. (Elektra aside, of course.) He also continued with the part-petulant child, part-stranger-in-a-strange-land bit, while never understanding why people aren’t impressed by his “I am the immortal Iron Fist” claims, followed by tales of dragons and mystical cities. Sheesh! Either give it a rest, or at least show off the “fist” a bit earlier.

Colleen Wing’s presence mostly made up for that of her boyfriend. She’s attractive, passionate, willing to do what needs to be done, and brings some much-needed skill with bladed weapons to the good-guy side. She seems to start many fights by charging at her opponents, which doesn’t seem too smart to me, particularly when it’s a superior fighter like Bakuto. Then again, it’s not like she’s gonna surprise him/them, especially beginning from several feet away. Maybe the head-on approach is best, just to get the fight underway?

Some of the best acting in this series was in scenes with the Colleen and Claire characters, especially the one where Colleen briefly broke down in tears. Well done, Miss Henwick.

Claire’s how-did-I-get-myself-into-this reflections and lines were welcome as usual. She really is the heart of the (non-)team, and not just because she is the acquaintance that they all had in common. She also probably surprises no one more than herself that she is still in the thick of it and, well, not dead, yet. Like Colleen said, Claire’s a hero, too.

It was nice to see Malcolm, Trish, Karen, and Foggy, too, and to find out what they were up to since we last saw them. There wasn’t much for them to do in this story but hide out. But, it made sense in the plot to have them involved, since they were the closest associates of our heroes. However, it still seems odd to have them essentially camp out in the police station, when the cops never really understood what The Hand was or how dangerous they were.

Misty Knight… yowza! (Ahem, sorry.) The lovely Detective Knight returns! Yay! (“Detective Knight” sounds like a twist on a certain Distinguished Competition’s pointy-eared vigilante, doesn’t it?) She continues to be frustrated by our heroes, but she comes through in the end and supports, even aids, them. Yay, again! She pays a dear price for it, though, since she (finally) loses her arm. Triple-yay! That’s right, I’m glad she lost her arm, ‘cuz that means she will probably, eventually, get a super-strong bionic arm, just like in the comics. (I have a feeling her benefactor will be Rand, though, instead of Stark.) Then, she just needs to become a P.I. and partner with Colleen Wing, and I’ll be a happy man. (Especially if they get their own series!)

It sort of makes sense that Stick would be the one to unite — however reluctantly — our heroes. Or, at least, try to keep them together after that initial big fight. (Btw, since we already know these Netflix shows take place in the same world as the films, it would have made sense to have someone say something like, “Why not tell those Avengers guys? Let them HANDle it!” OK, maybe without the pun.) I’m a little surprised that they killed him off, but not real disappointed. For one, he was getting annoying; for two, with The Hand out of commission (thankfully, at least for now), there’s little reason for Stick to show up, and this should help our heroes — well, Matt, anyway… and Elektra — move on.

I hate to say it, but Sigourney Weaver looked… old. But, then I realized she’s 67, so she’s allowed to have a few wrinkles and such. Don’t know that I would have thought of her as a villain for this series. But, as the Alexandra character was written, she was a decent choice. We suspected they would bring Bakuto back, as well as the ever-present and deceptively powerful Madame Gao. The other two new Hand leaders — Murakami and Sowande — seemed formidable at first. But, the latter was too easily defeated, and the former was ultimately not that impressive.

I have mixed feelings about the whole Elektra thing. I mean, we already knew she was being resurrected by The Hand, so she’d probably be involved in another series storyline. And, it makes sense the way it was done and why. I think. Her betrayal of Alexandra was a surprise, which made for a nice plot twist. However, I don’t understand why she suddenly became so cold, amoral, etc. I guess it had something to do with her soul being affected (seared? tainted? infected?) by her brief time on “the other side”. I don’t remember hearing a good explanation for her behavior, but maybe I just missed it or didn’t put the pieces together.

If Elektra survived and if she eventually returns (though hopefully not for awhile), I hope she becomes more the assassin-for-hire that comic readers are familiar with. One with a damaged, yet still present, moral compass and ethical code.

The overall plot wasn’t bad, though it seemed to take a little while to get moving. Definitely room for improvement here and there, which might have been do-able if they had another episode or two to work with. Or, maybe fewer episodes would have forced them to tighten it up and get to the good stuff sooner. For the most part, though, the four heroes’ individual stories came together fairly well. It all flowed OK (though the earlier episodes were a bit rocky), and there was some good character development. (Even Rand.) Most of the interaction between our heroes was good, too, and I appreciated the occasional doses of humor.

Open questions: Why didn’t the NYPD file a report? Why wouldn’t they charge our heroes with terrorism? I’m not saying there isn’t a plausible way around it, with Jeri Hogarth (and Foggy, of course) coming to their aid. (Even “The Defenders” sometimes need a legal defense of their own, right?) But, the “wrap-up” at the end seemed too easy.

Overall grade: When feeling generous, I’m tempted to give “The Defenders” a solid ‘B’. Other days, I might go as low as a ‘C’. So, let’s split the difference and go with a ‘C+/B-‘.

Upcoming, Live-Action Superhero Series Round-up, part 2

Continuing from last week, wherein we looked at various confirmed, possible, and merely rumored Netflix series that will/would join the four Marvel adaptations so far, this week we’ll review several more superhero shows being developed at other networks. Most of them also happen to be based on Marvel properties, but not all….

Disney/ABC

o I’ve already blogged about the “Inhumans” mini-series coming out this Fall (here and here). As previously mentioned, it will focus on the Inhumans’ Royal Family (as seen in the comics) and will not be connected to “Marvel’s Agents of S.H.I.E.L.D.” and the Marvel Cinematic Universe. I have mixed feelings about the casting choices — e.g., Serinda Swan as ‘Medusa’ looks rather disappointing in the pic I saw — but I’m hopeful that the overall story and production will make it worth watching.

Fox

‘The Gifted’

o As we now know, the mysterious “X-men related” show that was being developed over at Fox is called “The Gifted”. The basic premise is that a suburban American couple discovers “their children possess mutant powers. Forced to go on the run from a hostile government, the family joins up with an underground network of mutants and must fight to survive.” This appears to be a new concept and not based on any particular Marvel mutant-themed comics, but there will be a few familiar characters (e.g., ‘Polaris’, ‘Blink’, ‘Thunderbird’). The creative team / producers include many familiar names, too — e.g., Bryan Singer, Jeph Loeb, Lauren Shuler Donner, Simon Kinberg, Jim Chory, and Matt Nix. My interest is piqued! (No premiere date but possibly late-2017.)

Hulu

o Based on another popular Marvel comic book series, “Runaways” is about a group of teenagers who discover that their parents are the members of a secret cabal of supervillains. As if there wasn’t enough to be angsty about…. These kids discover that they have unusual skills and abilities of their own and decide to foil their parents’ evil plans. As you might have guessed, the parents do not appreciate the interference, and the kids end up on the run, so to speak. Thus the title. I remember reading several issues of this series when it came out years ago and enjoyed it. I really hope they do a decent job with this adaptation. At least the cast looks good…. (Premieres sometime in 2018.)

Freeform (formerly ABC Family)

o “Cloak & Dagger”: “Two teenagers [Tandy Bowen and Tyrone Johnson] from very different backgrounds find themselves burdened and awakened to newly acquired superpowers while falling in love.” To be honest, I never really got into these characters much. I remember reading a few stories with them — maybe the initial, limited series and a few guest-starring appearances in other titles. But, they never really got me excited. Still, it’s an interesting concept, and I know their fans have been talking for some time about the possibility of these characters arriving either on the small- or big-screen. Well, it’s finally happening, so for their sakes, I hope this is a satisfying live-action adaptation. (Premieres early/winter 2018.)

o Not much is known about the “(Marvel’s) New Warriors” series being developed for Freeform, except that it will be a half-hour action-comedy and apparently features ‘Squirrel Girl’. Now, since debuting in the ’90s, this team has gone through a few different rosters. But, it has always been (mostly) serious, despite the silliness of Speedball, and the ridiculous Squirrel Girl has never before been part of any incarnation of the team. This series “is about six young people with powers living and working together. With powers and abilities on the opposite end of the spectrum of The Avengers, the New Warriors want to make a difference in the world… even if the world isn’t ready.” The team will be led by SG, whose “most important trait is that she has faith in people and teaches them to believe in themselves.” Not the way I’d have gone with this property, but I guess…. (No premiere date but probably 2018.)

You might be wondering if there will be any crossover between the two Freeform series. Well, probably not. As per Karey Burke, Freeform’s Vice President of Programming, “If you know these two properties, they’re not particularly connected. There are many degrees of separation with where they fall in the Marvel universe. But anything is possible with Marvel. Their tones are so wildly different. Cloak is this angst-filled, achingly beautiful, heartfelt romantic drama. And Squirrel Girl is a balls-out comedy.”

CW

‘Black Lightning’

o DC’s latest — fifth, or sixth if you count “iZombie” — entre on The CW will be “Black Lightning”, starring Cress Williams in the title role. The incredibly busy and talented Greg Berlanti is one of the executive producers, along with his producing partner Sarah Schechter. Husband-and-wife team Salim and Mara Brock Akil are writing, with Salim also directing at least the pilot. The show tells the story of Jefferson Pierce, a long-retired superhero who gets pulled back into the biz, when his daughters (who I think also have powers) get involved in some heavy stuff. The trailer I saw looked pretty good, so here’s hopin’…. (Premieres either this October or early 2018.)

???

o The one we know the least about is “Quantum & Woody”, based on a Valiant title by the same name. (I loved the original but haven’t read the new one.) It was a quirky, clever series with fun characters: adopted, adult brothers — one black, one white; one serious, one goofy — who gain superpowers and (naturally) become costumed adventurers. This past March it was announced that the Russo Brothers (“Community”, Captain America: The Winter Soldier, Captain America: Civil War) would develop the property as a TV series, once they wrap The Avengers: Infinity War. Other executive producers include Andrew Barrer and Gabriel Ferrari (Ant-Man), who are currently working on Ant-Man and The Wasp. Sounds like a great creative team! But, correctly casting the title characters — with the “odd couple” vibe and repartee from the comics — will be crucial to the show’s success. (No premiere date.)

o Just before going to press, I discovered that DC’s live-action “Titans” series has not only been revived but will begin shooting in September. Apparently, I missed the announcement back in April that it was moving forward, after all. Beside the shoot-date, we also now know that Berlanti (along with Geoff Johns and Akiva Goldsman) is co-developing this one, too, and it will be “part of a brand new digital service from DC Entertainment and Warner Bros.” Does this mean it won’t air on a regular TV or cable channel? I dunno. Regardless, I hope they do the team justice. Teen justice! <<ahem!>> (Likely premieres sometime in 2018.)

I don’t know about you, but I think there is a *lot* to look forward to over the next couple years, and that’s just from this particular subset of our beloved sci-fi/fantasy and action/adventure genres. Even if only half of these series catch on, I’ll be happy. (Assuming I have a chance to watch them, that is.)

Upcoming, Live-Action Superhero Series Round-up, part 1

I’ve said it before, but superhero genre fans are truly blessed these days. In addition to the the many live-action adaptations on the big screen, we have more leather- and spandex-clad heroes with special powers and skills on TV now than ever before — from DC’s various series on regular TV (“Arrow”, “The Flash”, “Legends of Tomorrow”, & “Supergirl” on CW; “Gotham” on Fox (no costume-wearing heroes in this last one, though)); Marvel’s “Agents of S.H.I.E.L.D.” on ABC and “Legion” on FX; and, Marvel’s Netflix-original shows (“Daredevil”, “Jessica Jones”, “Luke Cage”, “Iron Fist”). I suppose I should throw in DC’s “Preacher” (AMC), though I don’t care for the concept and would hardly call him a hero. (Same goes for “Lucifer”.)

There were also the late, lamented “Agent Carter” by Marvel and “Constantine” by DC, both of which had loyal fan followings but still got canceled. And, of course, there have been a few that were talked about a lot but fell through — e.g., DC’s “Teen Titans”/”Blackbirds” and Marvel’s “Mockingbird”/”Marvel’s Most Wanted”.

But, there are more on the way…. Over the past couple years or so, several other comic book adaptations have been rumored, discussed, planned, and in many cases gone into production. I thought we’d take a quick look at each of them — those I am aware of, at least. (Given that I’m a bit pressed for time, though, I’m splitting the “round-up” between this week and next. Hope you don’t mind.) Let’s begin with…

Netflix

o “The Defenders”: Anyone paying attention is aware that the heroes from the first four Netflix shows have always been intended to co-star in a mini-series as Marvel’s best ever non-team, “The Defenders”. I don’t think this particular line-up has ever seen print, but anything to get our heroes fighting together and likely among themselves in time-honored Marvel tradition. It debuts this August 18th.

o “The Punisher”: The popular, gun-toting anti-hero was so popular in his appearance in Season 2 of “Daredevil” that the powers-that-be decided a spin-off show was in order. I believe I’m on record as being in favor of this, as long as they do right by the character. Last I read, this one’s scheduled for release in Nov. 2017.

o More?: A little over a year ago, rumors began that Netflix was planning to add to their stable of Marvel-based series. Specifically, Moviecreedlive reported, “Our sources have revealed that Blade, Ghost Rider, and Moon Knight are lined-up to join Netflix.” These all make sense, given the darker, street-level tone of their other series. However, I haven’t heard/read anything more about this, other than the discussions of MK replacing Iron Fist, when the latter was having trouble getting some direction. (No comment.) Of course, “Agents of S.H.I.E.L.D.” has since introduced a version of Ghost Rider, so I don’t know how that might affect Netflix’s plans. Since Marvel has been keeping its Netflix properties independent from other shows & films, it might not matter at all. Personally, I’d love to see the original Ghost Rider, with host Johnny Blaze, brought to Netflix.

On the other hand, a different report around the same time said that Marvel/Netflix were next developing series for She-Hulk, Cloak & Dagger, Bullseye, and Elektra. The odd one out here seems to be She-Hulk. Not only do they already have one show about lawyers — Shulkie is also an attorney named Jennifer Walters — and two characters with super-strength, but the character doesn’t really fit the dark-n-gritty tone of the other shows. Plus, they’d need a decent CGI budget. The other three make more sense, though I haven’t read/seen anything more about Bullseye or Elektra. Most likely, it was an April Fool’s joke, anyway, since the article was published 4/1/2016. However, I’ll talk more about Cloak & Dagger in a minute — or, rather, in Part 2.

Finally, the possible Netflix show that makes the most sense to me would be the one rumored to spin off the Misty Knight character from “Luke Cage”. Ideally (for me), she would get her bionic arm and team up with Colleen Wing (from “Iron Fist”) to form “Knightwing Restorations”. (They could use that as a title, or “Daughters of the Dragon”.) It has been confirmed that Knight & Wing will both show up in “The Defenders”, so maybe it will set up events that lead to a spin-off then. Unfortunately, there has been no further news on this front, either.

That’s it for now. Continued next week…